| 中文版 English

具体要求

其它要求

-
关闭
A RARE AND IMPORTANT SANDSTONE FIGURE OF HARIHARA, PRASAT ANDET STYLE, PRE-ANGKOR PERIOD, 7TH-8TH CENTURY
奥地利
09月10日 下午4点 开拍 / 09月08日 下午3点 截止委托
拍品描述 翻译
A RARE AND IMPORTANT SANDSTONE FIGURE OF HARIHARA, PRASAT ANDET STYLE, PRE-ANGKOR PERIOD, 7TH-8TH CENTURY This lot is from a single owner collection and is therefore offered without reserve The Jorgen Ruben Gallery Ledger, entry from 2005: “No. 336, LA 1972, A. Maynard, Pre-Khmer, Sambor Prei Kuk 7th c. Shiva [Harihara].” Gallery price: EUR 268,000 or approx. EUR 447,000 adjusted for inflation at the time of writing. The ledger establishes that this object was located in Europe before the UNESCO 1970 Convention entered into force. Ancient region of Funan, Mekong Delta, 6th-7th century. Superbly carved standing in samabhanga, holding a trident in his right hand, representing Vishnu (Hari), and a conch in his raised left hand, representing Shiva (Hara), while the lower left arm is supported on a mace. His powerful body and serene face are masterfully modeled, marked by the slender waist, strong chest, and broad shoulders as well as the almond-shaped eyes centered by the third eye above, with neatly incised lids and pupils, and full lips forming a subtle smile, flanked by long pendulous earlobes, and the hair arranged in a tall smooth kiritamakuta. Provenance: Adrian Maynard, London, by 1972. Collection of Leo Albrecht, Denmark, acquired from the above. Jorgen Ruben, acquired from the above before 2005. In the Jorgen Ruben Collection for at least 21 years . Adrian Maynard joined Spink & Sons in 1947, where he was appointed Director from 1962 and eventually Deputy Chairman until his retirement in 1984. He was a man of enormous drive and undoubtedly the most flamboyant character to take charge of the Asian art department, which he took to the height of its success. Maynard believed firmly that "a dealer, whose fortune and good name depends on knowing what to buy, has a much greater responsibility to be right about the objects that come into his hands than, say, an academic, who never handles large sums of money.” Leo Albrecht was a German-born publisher and literary agent who established himself in Copenhagen after the Second World War. In 1951 he founded his agency, which played an important role in expanding the international market for Scandinavian literature. He began collecting art in the late 1950s, with a particular focus on Asian sculpture. In Copenhagen, he spent much of his time visiting antique dealers, museums, and exhibitions. He developed especially close ties with Ole Haslund, Lau Sunde, and Freddy Hansen, among the most prominent dealers in their fields. He also traveled frequently to London, where he became close friends with Adrian Maynard. Jorgen Ruben first met Albrecht in 1984, and they quickly became close friends. Ruben later described him as a gentleman and “the greatest collector of Asian art in Denmark.” He acquired Albrecht’s entire Asian sculpture collection when Albrecht moved back to Germany after selling his publishing company. The two remained close, with Albrecht continuing to visit Denmark each summer and staying at the Ruben family’s beach house north of Copenhagen. Jorgen Ruben is a Danish art dealer and collector who has been active for over four decades and is highly regarded in the fields of Asian art and classical antiquities. Raised in an art-conscious family, Ruben was exposed early to both modern painting and European decorative arts. He began working in the art trade in the mid-1970s, first with Persian rugs and later with antiques, while travels to Iran and a visit to Persepolis sparked his lasting interest in antiquity. After studies in Copenhagen and London, he worked in England with a dealer in early furniture, before travelling widely in Latin America and Asia, deepening his knowledge of regional art and culture. In 1984 Ruben opened a gallery in Copenhagen dealing in Asian antiquities. He was later active in London and, in the early 2000s, operated the Brussels gallery Classic Art. Much of his career, however, has been conducted privately from home, selling by appointment to collectors, galleries, and museums. Ruben has always bought selectively, choosing only works that deeply engaged him, and often keeping them for many years until placing them with a collector he felt truly understood them. Important Note: For essential information on the Jorgen Ruben Gallery Ledger and provenance documentation please visit here: www.zacke.at/rubencollection_ledger Condition: Overall good condition with expected wear, obvious losses and old repairs, chips, nicks, structural fissures, signs of weathering and erosion, encrustations. The stone with a fine, naturally grown patina. Weight: 58.9 kg (incl. stand) Dimensions: Height 99 cm (excl. stand), 111 cm (incl. stand) With an associated stand. (2) The supporting arch in the upper part of the sculpture connects the arms to the head. This feature reflects the careful craftsmanship and precautions taken by sculptors during the pre-Angkorian period. Emerging from the syncretic tendencies within Brahmanic religion, the god Harihara gained significant importance during this period, offering devotees the dual protection of Vishnu and Shiva. This era was characterized by a variety of artistic styles, which often overlapped, reflecting the dynamic and diverse cultural influences of the time. In contrast to the later Angkorian period, where a more uniform artistic style prevailed, this period's diversity highlighted a rich tapestry of evolving aesthetic expressions. Literature comparison: Compare a related sandstone figure of Harihara, Kampong Preah style, dated 8 th century, 98 cm high, in the National Museum of Cambodia, inventory number Ka.951. Compare a related sandstone figure of Harihara, Prasat Andet style, dated late 7th–early 8th century, 90.2 cm high, in the Metropolitan Museum of Art, object number 1977.241. Auction result comparison: Type: Closely related Auction: Christie’s Amsterdam, 31 October 2000, lot 181 Price: NLG 105,318 or approx. EUR 87,000 converted and adjusted for inflation at the time of writing Description: An important pre Khmer, Prasat Anset style, sandstone figure of Vishnu Expert remark: Compare the closely related modeling and manner of carving with similar sampot, physique, and hairstyle. Note the size (87 cm). Auction result comparison: Type: Related Auction: Christie’s Paris, 20 November 2003, lot 407 Price: EUR 43,475 or approx. EUR 64,000 adjusted for inflation at the time of writing Description: A sandstone figure of Vishnu, pre-Angkor, Phom Da style, 7th century Expert remark: Compare the related modeling and manner of carving. Note the much smaller size (43 cm).

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
50
50
600
100
1,600
200
4,000
500
8,000
1,000
16,000
2,000
40,000
5,000
80,000
10,000
160,000
20,000
+

委托价 (已有0次出价)

欧元

价格信息

拍品估价:9,000 - 18,000 欧元 起拍价格:9,000 欧元  买家佣金:

拍卖公司

Galerie Zacke
地址: Sterngasse 13, 1010 Vienna, Austria
电话: 0043-1-5320452
邮编: 1070
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士