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A RARE SUKU WOOD HELMET MASK, HEMBA, LATE 19TH-EARLY 20TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A RARE SUKU WOOD HELMET MASK, HEMBA, LATE 19TH-EARLY 20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Democratic Republic of the Congo. Carved as a human face, the white pigmented face with deeply inset slit-form eyes centered by a thin nose and the mouth open revealing white teeth. The mask is surmounted by a seated figure playing a drum on a raised triangular band lined with iron studs. Long Raphia fiber lines the lower perimeter. Provenance: Collection of Helmut and Marianne Zimmer, Zurich, Switzerland. Hammer Auktionen, Basel, Switzerland. Professor Gert Chesi, acquired from the above for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. A copy of the signed certificate from Hammer Auktionen, confirming the provenance above, accompanies the lot. Helmut (1931-2021) and Marianne Zimmer were avid collectors of African masks and sculptures. Many of their pieces found their way into museums including the Museum Rietberg as well as auction houses like Sotheby’s. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Overall good condition with minor wear, few age cracks, some rubbing and flaking to the pigments, little corrosion to the iron studs, few old fills, and the figure reattached with minor touchups. Weight: 1.7 kg Dimensions: Length 56 cm (excl. the Raphia fibers) Suku helmet masks like the present lot are often used in initiation ceremonies for young men in the society . Throughout southern Democratic Republic of the Congo and Angola, brightly painted and decorated masks are used to mark the transition to adult life. During the initiation period, which may last a year or more, adolescent boys are separated from the village and made to undergo a series of ordeals, including circumcision, designed to measure their strength and courage. These tests often culminate in the boys' symbolic death as children and rebirth as men. Among the Suku, the conclusion of mukanda (coming-to-manhood) rites is accompanied by performances of kholuka masks. The imagery that surmounts these masks translates into visual form the lyrics of songs that emphasize gender differences. Figural representations of humans and animals ridicule women and celebrate male virility. Literature comparison: Compare a related carved wood Suku helmet mask, dated late 19 th to early 20 th century, 75 cm long, in the Yale University Art Gallery, accession number 2006.51.150. Compare a related carved wood Suku helmet mask, 43.3 cm long, in the British Museum, registration number Af1954,23.1850. Auction result comparison: Type: Related Auction: Sotheby’s New York, 28 October 2025, lot 56 Price: USD 5,080 or approx. EUR 4,600 converted and adjusted for inflation at the time of writing Description: Suku Helmet Mask, Democratic Republic of the Congo Expert remark: Compare the similar facial features and color of the pigments. Note the size (45.7 cm).

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