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A PENDE MASK, MBUYA, LATE 19TH TO MID-20TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A PENDE MASK, MBUYA, LATE 19TH TO MID-20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Democratic Republic of Kongo. The mask with large, rounded forehead centered by three scarification marks above arching brows, downcast eyes with heavy lids, a broad projecting nose and lips, surmounted by a hat woven from Raphia, and the lower perimeter lined with Raphia fibers. Provenance: Félicia Dialossin, Galerie Argiles, Paris, 1960s. Collection of Helmut and Marianne Zimmer, Zurich, Switzerland, acquired from the above. Hammer Auktionen, Basel, Switzerland. Professor Gert Chesi, acquired from the above for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. A copy of the signed certificate from Hammer Auktionen, confirming the provenance above, accompanies the lot. Félicia Dialossin (1922-1990) was a prominent, highly respected Parisian gallerist and dealer who operated Galerie Argiles in Paris. She was a foundational figure in the tribal art market, known for handling exceptional, museum-quality pieces of African and Oceanic art during the mid-to-late 20th century. Helmut (1931-2021) and Marianne Zimmer were avid collectors of African masks and sculptures. Many of their pieces found their way into museums including the Museum Rietberg as well as auction houses like Sotheby’s. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Good condition with minor wear, few old chips, the tip of the nose reattached, and rubbing to the pigments. Weight: 649 g Dimensions: Length 33 cm (excl. the Raphia fibers) This mask , intended to be danced by a male performer, exhibits harmonious feminine features suggesting it may represent a Gabuku Mbuya, a stylized depiction of an alluring yet vain young woman. Mbuya masks are traditionally associated with male circumcision rites. Most Mbuya masks depict either a generalized village archetype, such as a prostitute or elderly bachelor, or a prominent community figure, such as a ruler or palm-wine tapster. The precise identity of a Pende mask, however, is generally indiscernible outside of performance, as the sculptural forms are visually similar, and their significance is defined by the specific dances and masquerade contexts in which they are employed. Literature comparison: Compare a related Mbuya mask, Pende culture, dated late 19 th -early 20 th century, 38.1 cm long, in the Yale University Art Gallery, accession number 1969.106. Auction result comparison: Type: Related Auction: Christie’s Paris, 30 October 2018, lot 110 Price: EUR 8,750 or approx. EUR 10,500 converted and adjusted for inflation at the time of writing Description: A pende mask, Mbuya, Democratic Republic of Kongo Expert remark: Compare the similar facial features and expression. Note the size (40 cm).

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拍品估价:500 - 1,000 欧元 起拍价格:500 欧元  买家佣金:

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