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A VERY LARGE (658 CM) KUBA WOMAN'S CEREMONIAL SKIRT, NCAK, 20TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A VERY LARGE (658 CM) KUBA WOMAN'S CEREMONIAL SKIRT, NCAK, 20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Democratic Republic of the Congo. Skillfully woven from raffia fiber in a warm brown tone and embroidered with bold traditional geometric designs arranged in broad registers. The decoration comprises interlocking linear motifs, squares, circles, and angular forms. Provenance: Professor Gert Chesi, acquired circa 1990-2015 for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. The back inscribed with the name ‘Richard’. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Good condition with typical wear and manufacturing irregularities. Few holes, tears, and loose threads. Dimensions: Size 70 x 658 cm This patterned ncák was designed to expand its wearer’s bodily presence. It was worn wrapped around a woman’s lower body several times and then tucked or secured with a belt. The production of raffia fiber garments is a collaborative venture that instantiates clan relationships. Production begins with the cultivation of raffia palms and the weaving of mbala (unadorned rectangular textile panels) on single-heddle looms. These are then arranged and decorations applied by female family members of various ages. The female head of the clan typically coordinates the work by selecting the style of the skirt, acquiring the necessary units of mbala, and outlining the embroidery patterns. The resulting garment is considered clan property. Kuba textiles are among the most celebrated artistic traditions of Central Africa, woven from raffia palm fiber and transformed through embroidery, appliqué, dyeing, and cut-pile techniques into richly patterned ceremonial cloths. Their production was traditionally collaborative: men wove the foundation cloth, while women created the complex surface decoration, often over long periods of time. Literature comparison: Compare three closely related Kuba skirts, each of smaller size, two in the Spurlock Museum of World Cultures, artifact identification 2014.03.0669 and 2014.03.0668, another in the Metropolitan Museum of Art, object Number 1999.522.2. Auction result comparison: Type: Closely related Auction: Bonhams New York, 13 May 2010, lot 2127 Mid-Estimate: USD 6,000 or approx. EUR 8,000 converted and adjusted for inflation at the time of writing Description: A Kuba dance skirt, Democratic Republic of the Congo Expert remark: Compare the closely related embroidery. Note the much smaller size (290 x 67 cm)

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