| 中文版 English

具体要求

其它要求

-
关闭
A GROUP OF THREE LARGE WOOD MARIONETTE PUPPETS, YOK-THEI, 19TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A GROUP OF THREE LARGE WOOD MARIONETTE PUPPETS, YOK-THEI, 19TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Burma. Each with finely carved and gilt-lacquered wood heads and limbs held together by strings and dressed in a costume woven with couched metal threads and richly decorated with metal sequins as well as crystal and glass stones. The first puppet depicts a princely figure, wearing a conical headdress and stylized armor, with delicately painted facial features; the second puppet represents a more fearsome ogre character, with an open mouth, pronounced fangs, and dramatic, exaggerated facial expression; the third puppet is a court attendant, rendered with a composed expression, wearing a conical headdress. Provenance: Professor Gert Chesi, acquired circa 1990-2015 for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Good condition with minor wear and manufacturing irregularities, small chips, light dents, occasional losses to lacquer, minor loose threads, an old repair to one head. Weight: 7.9 kg, 8.1 kg and 8.5 kg Dimensions: Height c. 94-100 cm Each with an associated wood stand. (6) Burmese puppet makers were responsible for creating stringed marionettes (yok-thei) used in theatrical performances known as yok-thei-pwe, a tradition that has been a central component of Burmese performing arts since at least the mid-1400s. Over the following three centuries, the art form matured to a level of refinement sufficient for inclusion in court entertainment, and by 1776, puppet troupes were brought under official regulation, with outstanding groups performing regularly at the royal court. The performances, highly popular in 19th- and early 20th-century Burma, were traditionally staged at night and drew upon a wide range of sources, including Jataka stories, Burmese history, fables, and local legends (Fraser-Lu, 1994, p. 98). While puppet plays served as entertainment for the general public, providing news, gossip, and moral instruction, they also fulfilled a subtle political function within the court, allowing performers to convey messages to the king indirectly; the court was adept at interpreting these communications without the use of explicit language. Plays were usually performed on a bamboo stage that was devoid of props, and they were accompanied by a Burmese orchestra. The precise number of puppets used varied from troupe to troupe but typically a set of marionettes included a king, four ministers, prince and princesses, a tiger, an elephant, a horse, an old woman, a hermit, and so on. According to Fraser-Lu (1994, p. 98), an edict passed during the reign of King Ba-gyi-daw (1819-37) decreed that human, horse and nat puppets should be made of yamane wood (gmeline aborea) and that the other puppets should be carved from than-that wood (albizzia lucida). Literature comparison: Compare a closely related Burmese wood marionette puppet (yok-thei) of the character of Ravana, dated to the 19 th century, 83 cm high, sold at Michael Backman Ltd, reference number 5215. Compare a closely related Burmese puppet, in the Powerhouse collection, object number 2006/73/1. Compare another related but smaller Burmese puppet, dated to the late 19 th century, 26 cm, in the British Museum, registration number As1940,01.1.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
50
50
600
100
1,600
200
4,000
500
8,000
1,000
16,000
2,000
40,000
5,000
80,000
10,000
160,000
20,000
+

委托价 (已有0次出价)

欧元

价格信息

拍品估价:1,500 - 3,000 欧元 起拍价格:1,500 欧元  买家佣金:

拍卖公司

Galerie Zacke
地址: Sterngasse 13, 1010 Vienna, Austria
电话: 0043-1-5320452
邮编: 1070
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士