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A RARE PAIR OF LARGE YORUBA BRONZE EDAN OGBONI STAVES, 19TH-EARLY 20TH CENTURY
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09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
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A RARE PAIR OF LARGE YORUBA BRONZE EDAN OGBONI STAVES, 19TH-EARLY 20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Each skillfully cast, one depicting a male figure and the other a female, both shown in a crouched position, their emaciated legs flexed beneath them, while a stylized serpent ascends along a slender shaft beneath the figures, reaching their respective genital areas. Their similarly slender arms are gently raised, hands together as they hold small bowls in front of elongated torsos adorned with tasseled necklaces. The large oval heads are marked by grotesque facial expressions, with bulging eyes, broad noses, and tightly drawn mouths from which a curved pipe emerges, all framed on either side by carefully arranged curls and surmounted by a suspension loop at the crown. (2) Provenance: Professor Gert Chesi, acquired circa 1990-2015 for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Good condition with expected wear, traces of use, casting irregularities, light warping, few cracks, minor dents, surface corrosion, small nicks. Weight: 2.8 kg (total) Dimensions: Height 39.8 and 41.7 cm Edan are among the most compelling sculptural objects in Yoruba culture. They are presented to initiates entering the higher ranks of the Ogboni society, also known as Oshugbo, a fraternal institution indigenous to Yoruba-speaking regions of Nigeria, the Republic of Benin, and Togo. The present figures were designed to be worn at either end of a chain draped over the shoulders and behind the neck of an Ogboni initiate, serving as insignia of rank during society meetings and ceremonies. The chain passes through loops at the tops of their heads, securing them in place. The Ogboni society performs a range of political and religious functions, including exerting significant influence over monarchs and serving as a supreme judicial authority in cases of capital offenses. Its members are generally regarded as constituting the nobility within various Yoruba kingdoms of West Africa. The Ogboni venerate Onile, the Earth deity, whose worship is believed to ensure human life, the maintenance of communal harmony, the flourishing of collective well-being, and the preservation of social and cosmic order within the community. The inherent resistance of bronze to corrosion symbolizes immortality, as well as aspirations toward longevity and well-being. Furthermore, the typically paired male and female figures embody the duality of Onile. The Ogboni tradition holds that the union of two members yields a third. This ‘third entity’ is understood as a mystery or hidden principle arising from the conjunction of male and female, a concept visually expressed in the paired figures of the Edan. This emergent presence is often interpreted as an expression of wholeness or completion, sometimes associated with the fulfillment of life itself. Literature comparison: Compare a related smaller Yoruba bronze Edan Oshugbo staff, Nigeria, Yoruba people, 25.4 cm high, in the Herbert F. Johnson Museum, Cornell University, object number 91.001.052. Compare a related pair of smaller Yoruba bronze Ogboni initiate’s Edan staves, dated to the 19 th century, illustrated by Michael Backman Ltd, London, inventory number 6653.

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