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A LARGE BAMANA WOOD FIGURE OF KONOMANI, BOUGOUNI REGION, 17TH TO MID-20TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A LARGE BAMANA WOOD FIGURE OF KONOMANI, BOUGOUNI REGION, 17TH TO MID-20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Mali. The female figure is seated with short legs and a slender, elongated upper body with a rounded belly, well-carved breasts, and long, narrow limbs, the hands resting against the chest. The head is also elongated and surmounted by a high, conical headdress, while the face is rendered with almond-shaped eyes, a long straight nose, and a small, pursed mouth. Provenance: Professor Gert Chesi, acquired circa 1990-2015 for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Overall good condition with old wear, signs of weathering, expected age cracks, flaking to pigments, small chips, minor losses, the neck with an old fill, the right headdress flap with an old repair. The wood with a rich, naturally grown patina. Weight: 20.8 kg Dimensions: Height 127 cm The artist workshops in the Bougouni region produced a singular corpus of sculptures, very different from the rest of the Bamana artistic tradition. This powerful figure, originating from the Jo society, is remarkable in its imposing presence and naturalistic fluidity of forms. Initiation into the Jo society once marked the transition to adult life of young men and some women among the southern Bamana. Members of Jo oversaw an annual cycle of rituals. The most important of these, a rite devoted to fertility and social cohesion, took place during the rainy season. Among the collective responsibilities of Jo’s leadership was the commissioning and care of mafile fenw, or ‘things to look at’ and contemplate. These refined sculptures were cared for through communal ceremonies during which they were carried in a dancing procession, purified, and decorated in preparation for public display. Over the course of the seven years of initiation, jocew (advanced members of the association) revealed and explained the esoteric significance of their potent creations to more recent initiates. With her pregnant belly and full breasts, Konomani (‘little pregnant one’) was one of an array of sculptures created to honor Gwandusu, the heroic mother. Arranged in a position of respect, Konomani was integrated into a jo ko don, an annual sculpture display that addressed concerns related to infertility and imparted shared social values. In Bamana thought, intercourse and childbirth are closely associated with sculptural production; the making of objects is analogous to the making of children. Jomogoniw (little sculptures of Jo) were cared for over many generations. Jo ko don thus displays honored creative production on multiple levels: through the central subject of the nurturing mother, the sponsorship of new sculptures, and the preservation of existing ones. Literature comparison: Compare a closely related Bamana figure of Konomani, dated 17 th -mid-20th century, 102.9 cm high, in the Metropolitan Museum of Art, object number 1978.412.338. Auction result comparison: Type: Closely related Auction: Christie’s Paris, 2 December 2020, lot 66 Price: EUR 225,000 or approx. EUR 270,000 adjusted for inflation at the time of writing Description: A Bamana figure, Gwandusu, Mali Expert remark: Compare the closely related modeling and manner of carving. Note the size (92 cm).

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