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A LARGE POLYCHROME WOOD FIGURE OF A MONKEY ON A TREE STUMP, BURMA, 19TH-20TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A LARGE POLYCHROME WOOD FIGURE OF A MONKEY ON A TREE STUMP, BURMA, 19TH-20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Well carved and painted in blue and red, the figure depicts a monkey in a climbing pose, perched atop a tree trunk, with elongated limbs grasping the branching form beneath, the hands and feet firmly wrapped around the supports. The face is rendered with expressive features, including a protruding muzzle, rounded cheeks, and incised details indicating the eyes and mouth. Provenance: Professor Gert Chesi, acquired circa 1990-2015 for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Good condition with extensive wear and manufacturing irregularities. Tiny nicks, losses to one arm, natural age cracks and losses to pigments. Weight: 10.6 kg Dimensions: Height 80.2 cm The monkey occupies a vivid and highly charged place in Burmese art, where it is often understood not merely as an animal subject, but through its association with Hanuman, the heroic monkey-general of Rama in the Ramayana. In Burma, the epic was localized as the Yama Zatdaw, absorbed into Buddhist narrative, courtly performance, music, masks, and visual art; within this context Hanuman became a figure of courage, intelligence, martial energy, and unwavering devotion. The motif was especially well suited to Burmese wood carving, allowing sculptors to animate the material through springing poses, curling tails, expressive faces, and taut, muscular limbs, often enriched with lacquer, gilding, and polychrome decoration. This imagery also belongs to a broader mainland Southeast Asian tradition: in Thailand, Hanuman is central to the Ramakien and the masked dance drama Khon, while in Cambodia, the monkey role forms one of the principal character types of the Royal Ballet and the Reamker tradition. Burmese carved monkeys and Hanuman figures therefore stand at the crossroads of Indian epic, Buddhist adaptation, and regional courtly culture, transforming a pan-Southeast Asian hero into a distinctly local sculptural expression. Auction result comparison: Type: Related Auction: Bonhams San Francisco, 5 May 2009, lot 1315 Price: USD 3,355 or approx. EUR 5,000 converted and adjusted for inflation at the time of writing Description: A Thai gilt bronze figure of a kneeling monkey, first quarter 20th century Expert remark: Compare the related modeling and motif. Note the different material and the size (40.6 cm).

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拍品估价:1,000 - 2,000 欧元 起拍价格:1,000 欧元  买家佣金:

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