拍品造型、工藝、紋飾與北京故宮博物院清宮舊藏雍正白釉暗刻金蟾紋十方洗完全相同,當年或為成對燒造,存世極為罕見。 清代康、雍、乾三代,單色釉瓷器的燒製工藝達到了鼎盛時期,型製優雅、流暢,釉色純正、明快。部分單色釉瓷與釉下剔刻或模印紋飾融合,交相輝映,華邁古今,勻稱一代雅製,陶瓷史上華章。拍品即為其中精品一例,洗呈敞口葵瓣十棱形,器心平坦,器型規整雅致,胎質潔白細膩,胎體勻薄,光照盈透,可見成型工藝之高超,器心模印兼剔刻金蟾鬧海圖,罕見而別開生面、別具匠心,參見《程氏墨苑》中金蟾鬧海版畫。洗屬文房用具,此器造型以葵瓣十棱式展現,既富仿古意趣又不乏創新風貌,設計精巧,格調高雅,集宮廷審美與文人意趣於一身,極為難得,殊堪寶藏。 《故宮珍藏康、雍、乾瓷器圖錄》,兩木出版社、紫禁城出版社,1989年5月,頁315,圖144 《程氏墨苑·第九卷·儒藏上》,明,頁21 A WHITE GLAZED DISH MOLDED SEA AND JINCHAN Period of Yongzheng, Qing Dynasty 8 5/8 in. (21.9 cm. ) Diam. The washer is delicately potted with gently flaring sides divided into ten bracket-lobes, covered overall with a milky-white glaze with a faint bluish tinge. Kangxi.Yongzheng.Qianlong Qing Porcelain from zhe Palace Museum Collection, Beijing & Hong Kong, May 1989, p. 315, pl. 144 Cheng shi mo yuan · volume 9 · ru cang I, Ming Dynasty, p.21