无 拍品與中漢2011春拍41號雍正御窯粉彩高士踏雪尋梅圖茶碗的繪畫風格、彩繪勾勒點染技法相類,當屬雍正彩繪秀雅雋品代表作之一,與瑞士玫茵堂舊藏雍正粉彩高士踏雪尋梅圖小碗紋飾風格、構圖、畫工乃至細節極盡相同,近乎出自一人筆墨,尤其松針畫法,兩者如出一轍,頗為別致,幾不見於同時期其他器物之上。 拍品器型周正,秀氣挺拔,胎體細白堅致,釉面光亮勻淨,筆法生動遒麗,構圖疏朗清逸,設色清新雅麗。瓶壁繪踏雪尋梅圖,高士騎驢,撚須回首,身後童子相伴,肩扛梅花枝束,身後一株老松虯然而立。周圍景物以墨彩淡淡點出,意境清幽深遠,文人雅士清貴之氣滿溢。 “踏雪尋梅”為傳統紋飾,拍品以小童肩扛一枝紅梅點題,頗符合中國文人以詩入畫巧思,就如北宋徽宗朝所流傳 “踏花歸去馬蹄香”入畫典故一般,注重構圖的立意和意境,通過形象把抽象的思想立意體現出來,含蓄雋永之文人氣息引人遐思。 紐約佳士得,2012年3月23日,編號2117 A VERY RARE FAMILLE ROSE FIGURE VASE, YUHUCHUN Period of Yongzheng, Qing Dynasty 8 7/16 in. (21.5 cm. ) Height. Christie's New York, 23rd March 2012, Lot.2117 The Scene may depict the poet Lu Kai, who lived in the Song State during the Southern Dynasties period(420-479). While in Jiangnan, he is traditionally believed to have sent a spray of prunus hundreds of maile to the historian Fan Ye in Chang'an. This gesture has became a symbol of sincere friendship.