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A Chinese Bronze Incised Buddhist Votive Plaque, Liao Jin Dynasty
美国
09月18日 晚上10点 开拍 / 09月16日 下午3点 截止委托
拍品描述 翻译
A Chinese Bronze Incised Buddhist Votive Plaque, Liao-Jin Dynasty 遼-金 雙面綫刻銅佛板 Liao-Jin Dynasty (916-1234) The surface is incised on one side with a Buddha; the reverse is incised with Virū?haka (Guardian of the South, 南方增长天王). Note: The origins of this type of bronze Buddhist plaque can be traced back to line-engraved bronze mirrors from the Wuyue Kingdom during the Five Dynasties period. According to Wang Mu’s study, Line-Engraved Bronze Mirrors Unearthed in China and Related Issues, approximately twenty such mirrors have been discovered in China. They date primarily from the late Five Dynasties/early Northern Song periods through the Liao and Jin dynasties. Sixteen mirrors with documented provenances were found in locations including Hangzhou, Dongyang, and Huangyan (Zhejiang); Suzhou (Jiangsu); Changsha (Hunan); Xuanhua (Hebei); Qingzhou (Inner Mongolia); Acheng (Heilongjiang); and Fuxin (Liaoning)——areas largely corresponding to the territories of the Wuyue Kingdom and the Liao and Jin dynasties. Most were unearthed from Buddhist pagodas and tombs. The engraved motifs invariably feature Buddhist themes or imagery related to religious offerings, underscoring their function as devotional objects. Notably, the "Mirror of Lady Liu Qiniang"—unearthed from a Song-dynasty tomb in the suburbs of Changsha, Hunan, and featuring an engraving of Guanyin standing on a lotus, has a small hole along its rim, likely intended for securing the mirror within the tomb or for suspension during the propagation of the Buddhist faith. The short handle on the present piece likely served a similar purpose. Among the finds from the Lingshi Temple in Huangyan City, a site that yielded six bronze mirrors featuring incised designs and date inscriptions, five bear images of Buddhist figures, specifically Shakyamuni Buddha, his disciples, and the Four Heavenly Kings. Huangyan is located in Taizhou, Zhejiang Province, a region where Buddhism flourished; it was the birthplace of the Tiantai school, which subsequently spread widely to Japan and Korea. The bronze mirrors recovered from the Lingshi Temple pagoda had been enshrined within the pagoda's internal compartments or in iron reliquary caskets. The placement of four mirrors depicting the Four Heavenly Kings within the pagoda mirrors the practice of painting guardian kings at the four corners of Buddhist grottoes to protect the site. Bronze mirrors were believed to ward off evil spirits, and since the Four Heavenly Kings served as protectors of the Dharma, their inclusion further enhanced the mirrors' apotropaic function. It can be inferred that the piece depicting Virū?haka (the Heavenly King of the South) was originally part of a complete set. Furthermore, traces of wind and sand erosion on the surface of the plaque suggest it was not enshrined indoors but hung from the eaves—a practice consistent with archaeological findings from the Liao and Jin dynasties. Based on existing archaeological evidence, while the line-engraved mirrors from the Liao and Jin dynasties were primarily recovered from pagodas and tombs, they were typically hung on the exterior of Buddhist pagodas or embedded in the ceilings of burial chambers. For instance, the White Pagoda at Qingzhou in the Bairin Right Banner of Chifeng, Inner Mongolia, features over eight hundred circular and lozenge-shaped bronze mirrors inlaid into its body. A bronze mirror discovered within the sarira casket of the "Xumicang" Stone Sutra Pagoda at Yunju Temple in Fangshan, Beijing—now held by the Capital Museum—features a short handle with a drilled hole, indicating it was also intended for suspension. Similarly, among the six bronze mirrors unearthed from the Zhangjiayingzi tomb in Jianping County, Liaoning Province, five were hung on the chamber walls, and one was suspended from the ceiling. Furthermore, in the Zhang family Liao tomb complex in Xuanhua District, Zhangjiakou City, Hebei Province, many bronze mirrors retain traces of iron bars, iron hooks, or wooden blocks on their knobs, all of which served as suspension mechanisms. Compare the Liao dynasty bronze plaque with a linear-engraved image of a Buddha formerly in the collection of Jin Shen; it is illustrated in Complete Collection of Buddhist Art (Vol. 6): Appraisal and Collection of Buddhist Images, pp. 30–31, and Ancient Buddhist Images from Two Collections: The Taihuazhai Collection, p. 70. It was later offered at the China Guardian auction on November 15, 2011, Lot 3990, with an estimated value of RMB 800,000–1,200,000. Another example, a Liao Dynasty bronze double-sided plaque with incised Buddha figures, sold for HKD 288,000 at Wanchangsi, Hong Kong, on November 29, 2018, Lot 7850. Compare also a silver-gilt bronze plaque featuring a Buddha flanked by two Bodhisattvas, sold for €60,855 at the Bonhams, Paris auction of the Robert and Jean-Pierre Rousset family collection of Asian art on October

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