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A Magnificent, Monumental, and Extremely Rare Chinese Blue and White 'Nine Dragons' Vase, Qing Dynasty, Jiaqing/Daoguang Period
美国
09月18日 晚上10点 开拍 / 09月16日 下午3点 截止委托
拍品描述 翻译
清嘉慶/道光 巨型青花九龍大瓶(附山中商會1943年圖錄) Jiaqing/Daoguang Period (1796-1850) **PREMIUM LOT** Additional registration documentation, including a wire deposit, is required to bid on this lot. Online bids will not be accepted. Please contact bid@freemansauction.com to arrange for absentee or telephone bidding. 注:本品不接受網絡出價。參與競拍請電郵競拍部bid@freemansauction.com Of imposing scale, the body of slender baluster form, rising from a slightly spreading foot, with applied scrolling archaistic dragon handles at the neck, the body painted with a wide band of nine five-clawed dragons and numerous bats amongst cloud and flame scrolls, the central dragon on one side encircling a flaming pearl, the central dragon on the reverse grasping a pearl in its claws, above other dragons emerging from breaking waves, all below a wide band at the neck depicting a wan symbol, a stylized descending bat with twin fish suspended from a ribbon, peony, lotus, and other stylized blossoms on a fruiting melon vine, below a narrow band of ruyi heads at the flaring rim, echoed by a broader border at the shoulder, and a band of lappets above the foot, the unglazed underside raised on a low foot ring; carved wood stand. Accompanied by a copy of The Yamanaka & Company, Inc., 1943 catalogue in which the present vase is illustrated. Essay: Qing dynasty vases of this monumental size and exceptional quality are extremely rare and would have been very challenging to produce and successfully fire, particularly as this vase was made in three separate sections luted together before firing. The treatment of the central dragon is very similar to that seen on Imperial moonflasks from the Qianlong period, with a large frontal-facing dragon such as that found on the large Qianlong mark and period doucai example, with elaborate scrolling archaistic dragon handles, sold at Christie’s, Hong Kong, May 30, 2023, lot 2903. The depiction of an enlarged frontal dragon symbolizes the emperor, and beneath it is a smaller, five-clawed dragon, which is rising out of breaking waves. The smaller dragon represents the heir apparent and appears to be looking up at the larger dragon. This decoration is generally known as ‘The Emperor instructing the Crown Prince’, or ‘The [Eastern] blue dragon teaching his son’ (Canglong jiuzi), and it appears on only a small number of Imperial porcelains. While the dragons on the present vase are all of similar scale, the treatment of the subsidiary dragons emerging from the waves and looking up to the central dragon implies this subject. The dragon (known as long or loong) is a legendary figure in Chinese culture, usually depicted as a snake-like creature with four legs. They have traditionally been associated with control over water and the weather. During the Tang dynasty (618-907 AD), emperors wore robes with dragon motifs as an imperial symbol. On ceramics, dragons have been depicted from the Neolithic era, but it was not until the Song dynasty that the dragon became the exclusive symbol of the Emperor, with a decree passed by Emperor Huizong (1082-1135) forbidding its unauthorized use. Its use was further refined during the Yuan dynasty, where the depiction of the horned five-clawed dragon began to exclusively represent the ‘Son of Heaven’ and four-clawed dragons were to be used by princes and courtiers. The motif of nine dragons has long been a reference in Chinese culture to the Emperor and his sons, and is also referenced in the saying “The Dragon has nine sons, and all are not the same”, Long sheng jiu zi, ge bu xiangtong, where it is recognized that one’s children have differing talents and skills. Such sentiments have been embodied in monumental ceramic form since at least the late 14th century, illustrated by the famed Nine Dragon screen wall in the compound of the Palace of the Prince of Dai, son of the Hongwu Emperor, in Datong (Pingcheng). Screen walls such as this inspired the only two other surviving tilework screens of grand scale, both Imperially commissioned in Beijing during the 18th century. The first of these was created for the former Imperial gardens in Beihai Park, circa 1756; the other is found before the Palace of Tranquil Longevity, Ningshou Quan Gong, built as the “retirement" palace for the Qianlong Emperor in the first part of the 1770s. This theme of nine dragons depicted in multiple poses can be seen on large Imperial blue and white vases of the Yongzheng and Qianlong periods. One example of this, an extremely rare Yongzheng mark and period tianqiuping (“heavenly sphere" vase) was sold at Christie’s, Hong Kong, May 2, 2025, lot 802. The dragons on this vase are finely painted with great attention to detail, and the flame scrolls and the swirling waves express a high degree of

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拍品估价:40,000 - 60,000 美元 起拍价格:20,000 美元  买家佣金:

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