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明宣德 青花纏枝蓮紋盌 雙圈六字楷書款 XUANDE SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1426-1435)
美国
09月17日 晚上9点 开拍 / 09月15日 下午3点 截止委托
拍品描述 翻译
明宣德 青花纏枝蓮紋盌 雙圈六字楷書款
7 5/8 in. (19.4 cm.) diam., cloth box
明宣德 青花纏枝蓮紋盌 雙圈六字楷書款 7 5/8 in. (19.4 cm.) diam., cloth box 喬治?尤莫弗普洛斯(George Eumorfopoulos,1863–1939年)珍藏,倫敦尤莫弗普洛斯珍藏中國陶瓷、青銅器、金飾、漆器、玉器、玻璃及藝術品,倫敦蘇富比,1940年5月29日,拍品編號209J. F. M. Braithwaite珍藏倫敦蘇富比,1977年7月5日,拍品編號204 香港蘇富比,1991年4月30日,拍品編號12 北美私人珍藏重要中國藝術
拍品專文 The porcelains of the Xuande period have always been especially admired by Chinese connoisseurs, to the extent that three hundred years later, when the Qianlong Emperor wished to compliment contemporary porcelains, he compared them to those of the Xuande and Chenghua (1465–87) reigns. The Xuande Emperor was an especially enthusiastic patron of porcelain production, and the potters working at the imperial kilns were required to produce an astonishingly wide range of vessel shapes, ranging from huge jars to tiny flower vases for the cages of songbirds. It is especially the blue and white porcelains of the Xuande reign that are considered masterpieces of the potters' art. The underglaze blue designs of the period are admired both for the color of the cobalt blue and for the vitality of the painting, which exhibits remarkable spontaneity and fluidity, as evidenced by the elegant flower scrolls on the present bowl.The current bowl is finely decorated around the exterior with a continuous design of scrolling stylized lotus blossoms, while the interior cavetto is decorated with five flowers (pomegranate, lotus, tree peony, chrysanthemum, and hollyhock), with continuous scrolling foliage encircling a central lotus spray within a double ring. Each of the flowers would have conveyed a particular meaning to those who saw the bowl—the pomegranate offering joy and protection with its flowers, and implying the promise of many sons through its (unseen) fruit; the lotus symbolizing harmony, beauty, and purity; the peony representing wealth and honor; the chrysanthemum signifying longevity and wealth; and the hollyhock conveying fertility and perseverance.For a Xuande-marked bowl of similar size and design in the National Palace Museum, Taipei, see Catalogue of the Special Exhibition of Selected Hsüan-te Imperial Porcelains of the Ming Dynasty, Taipei, 1998, pp. 322–3, no. 134. Other examples include the bowl in the British Museum, London, illustrated by J. Harrison-Hall in Ming Ceramics, London, 2001, p. 133, no. 4:25; the bowl from the Tianminlou Collection illustrated in Chinese Porcelain: The S.C. Ko Tianminlou Collection, part 1, Hong Kong, 1987, no. 22, and subsequently sold at Sotheby’s Hong Kong, 3 April 2019, lot 10; and the bowl sold at Christie’s New York, 20 September 2024, lot 1039.

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