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A fine copper-red 'wufu' bowl, Mark and period of Yongzheng
美国
09月16日 晚上9点 开拍 / 09月14日 下午3点 截止委托
拍品描述 翻译
Description the base with a six-character mark in underglaze blue within a double circle Diameter 6 in., 15.2 cm Condition report Provenance Collection of Chang Foo Yau (1884-1963). China Institute of America, New York. Parke-Bernet Galleries, New York, 1st December 1962, lot 77. Catalogue note Exquisitely decorated with five crimson-red bats in silhouette against a luminous white ground, the present bowl is quintessentially Yongzheng in its restrained elegance, technical sophistication and auspicious design. At once bold and delicately controlled, the composition showcases the extraordinary mastery of the imperial potters in their handling of copper-red glaze, one of the most celebrated and technically demanding achievements in the history of Chinese porcelain. The five bats, wufu, form a rebus for the Five Blessings of longevity, wealth, health, virtue and a peaceful end, imbuing the bowl with layers of auspicious meaning beneath its deceptively simple decoration. Designs created through copper-red silhouettes originated in the early Ming dynasty and are best known from porcelains of the Xuande (1426-35)?period, although the technique had already been developed during the Yongle?(1403-24) reign, when silhouettes of animals and fish were combined with underglaze-blue decoration. Largely abandoned thereafter due to its notoriously difficult to achieve, copper-red was revived during the early Kangxi period under the direction of Zang Yingxuan, who was sent to Jingdezhen in 1681 to oversee the rebuilding of the kilns and supervise imperial production. By the Yongzheng period, the technique had been perfected, achieving its finest expression in the richly colored silhouettes of fish, pomegranates and, rarest of all, bats. This silhouette technique, which makes use of copper-red glaze, possibly sandwiched between layers of clear glaze, differs from the more common method of painting designs in copper-red pigment directly onto the porcelain body before the glaze is applied. When successfully handled, the technique results in intensely red designs that do not allow for the rendering of detail and are therefore ideally suited to the bold graphic clarity of silhouettes. Compare two identical bowls from the Malcolm McDonald Collection, now in the Oriental Museum, Durham University, illustrated in Ireneus László Legeza, A Descriptive and Illustrated Catalogue of the Malcolm McDonald Collection of Chinese Ceramics in the Gulbenkian Museum of Oriental Art and Archaeology, School of Oriental Studies, University of Durham, London, 1972, pl. LXXVIII, nos. 218 and 219; another identical bowl illustrated in Bo Gyllensv?rd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 788. For auction examples, see two sold in these rooms, 12th September 2018, lot 14; compare another bowl sold at Christie’s Hong Kong, 1st June 2011, lot 3527.

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拍品估价:40,000 - 60,000 美元 起拍价格:40,000 美元  买家佣金:
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