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‘TWO BUDDHIST LIONS WITH WINDSWEPT MANES’, DATED 1784, PREVIOUSLY IN THE NATIONAL MUSEUM OF SCOTLAND
奥地利
10月16日 下午5点 开拍 /14天17小时
拍品描述 翻译
‘TWO BUDDHIST LIONS WITH WINDSWEPT MANES’, DATED 1784, PREVIOUSLY IN THE NATIONAL MUSEUM OF SCOTLAND

On loan: National Museums of Scotland, Edinburgh, 2003-2025 (confirmed by the assistant curator, east Asia, via email).

Exhibited: Chinese Paintings, Talbot Rice Gallery, Edinburgh University Art Centre, Edinburgh, 15 March-14 April 1971, catalogue no. 11.

China. Ink and watercolors on silk. Mounted as a hanging scroll within a silk brocade frame with wooden roller ends. Finely painted, depicting two lions with windswept manes standing before a moon rising from rocky outcrops. Each lion is rendered with bulging eyes above a broad nose flanked by pointed ears, and muscular bodies with large paws accentuated by chunky white toes. The upper lion is distinguished by a brownish-red mane, while the lower lion displays a curly blue mane, both rendered in a dynamic pose with hypnotizing gaze.

Inscriptions: To the upper left, ‘Tenth day of the eighth month in the year of Jiachen of the Qianlong reign (corresponding to 1784), painted by Shen Quan, courtesy name of Nanping Waishi’ with two seal marks, ‘Shen Quan zhi yin’ and ‘Nan ping shi’. A third illegible seal to the lower right corner.

Provenance: The collection of Sir James Stewart Lockhart, acquired in Shanghai, April 1913, and thence by descent to his daughter Mary Stewart Lockhart. Gifted by the above to George Watson’s College, Edinburgh, in 1967, and subsequently de-accessed. The mounting with an old label from Sir Lockhart, inscribed ‘No 145. Shen Ch’uan’. A copy of a page from Sir Lockhart’s notebook listing the present lot, no. 145, accompanies the lot. Sir James Stewart Lockhart (1858-1937) was a Scottish scholar, colonial official, and eminent collector of Chinese art who spent more than four decades in Hong Kong and Weihaiwei, Shandong province. Starting as a cadet, he rose to become Colonial Secretary and was instrumental in administering the New Territories extension in 1898. Later appointed Civil Commissioner of Weihaiwei, he combined his official duties with an abiding passion for Chinese language, history, and material culture. Lockhart was fluent in Chinese and immersed himself in local scholarship, amassing an important collection of Chinese coins, paintings, and artefacts. Parts of his collection are preserved at George Watson’s College and the National Museums Scotland. Lockhart returned to the UK when he retired, and his collection passed to his daughter, the furniture designer Betty Joel. Mary Stewart Lockhart (1894-1985), better known as Betty Joel, was born in Hong Kong, spent her childhood in Asia, and attended school in Britain. She became a British furniture, textile and interior designer, active in England from ca. 1921 until 1937. Her work was featured in The Studio, the illustrated fine arts and decorative arts magazine and is now exhibited in the Victoria & Albert Museum and the Geffrye Museum. After she inherited her father’s collection, she donated it to her father’s alma mater, George Watson’s College in Edinburgh. Currently, many pieces of the collection are on a long-term loan to the National Museum of Scotland.
Condition: Very good condition with minor wear, few tiny tears, some browning, and little creasing.

Dimensions: Image size 163.4 x 53.3 cm, Size incl. Frame 287 x 71 cm

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