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† A PAIR OF RED-OVERLAY YELLOW GLASS BOTTLE VASES, QIANLONG MARKS AND PERIOD
奥地利
10月16日 下午5点 开拍 /14天17小时
拍品描述 翻译
? A PAIR OF RED-OVERLAY YELLOW GLASS BOTTLE VASES, QIANLONG MARKS AND PERIOD

China, 1735-1796. Each vase with a globular body rising to a tall cylindrical neck with a flat mouth and galleried rim. The exterior is finely carved through the semi-transparent ruby-red overlay to the translucent egg-yolk-yellow ground, depicting in low relief birds perched on blossoming branches issuing from craggy rockwork encircling the foot. (2)

The base with a wheel-cut four-character Qianlong nianzhi mark and of the period.

Provenance: Richard Mellon Scaife collection. Christie’s New York, 1 July 2015, lot 1 (dated as 19th century). Alvin Lo Oriental Art, New York, acquired from the above. The padded storage box with a Chinese label, ‘Qianlong mark, a pair of red-overlay on yellow ground, carved flower and bird vases, 22’. Richard Mellon Scaife (1932–2014) was an American collector, philanthropist, and a member of the Mellon family. He assembled a substantial and highly eclectic private collection of fine and decorative arts over the course of his lifetime. His interests encompassed American and European art, English and Chinese ceramics, furniture, silver, and other works of art, with a particular appreciation for unusual and finely crafted objects. Following his death, important portions of his collection were bequeathed to the Westmoreland Museum of American Art and the Brandywine River Museum, while further works were dispersed through major auctions, including Christie’s landmark 2015 sale of his collection. Alvin Lo is a fourth-generation art collector and dealer specializing in Asian art, with particular expertise in Chinese jades and works of art. He is the fourth son of P. C. Lu, one of the most influential Hong Kong art dealers of the twentieth century. Raised in a family deeply rooted in the art world, Lo developed an early and discerning eye for quality and authenticity. In the 1990s, he founded Alvin Lo Oriental Art in Midtown Manhattan before returning to Hong Kong in the mid-2000s, where he continues his work. Over the past decades, he has published numerous scholarly catalogs and organized exhibitions internationally.
Condition: Very good condition with minor wear, few open bubbles, and few tiny chips to the overlay.

Weight: 1,068 g and 1,069 g
Dimensions: Height 22.5 cm (each)

With a padded storage box. (2)

Literature comparison:
Compare a closely related red overlay on yellow ground lotus flower jar with Qianlong mark and of the period, 9.3 cm tall, in the Palace Museum, Beijing, reference number 故00107547.

Auction result comparison:
Type: Closely related
Auction: Christie’s New York, 22 March 2013, lot 1415
Price: USD 15,000 or approx. EUR 18,500 (for one) converted and adjusted for inflation at the time of writing
Description: A carved red-overlay yellow glass bottle vase, Qianlong four-character wheel-cut mark within a square and of the period (1736-1795)
Expert remark: Compare the closely related form, the color of the glass, and floral subject. Note also the similar size (20.3 cm).



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