All sales are subject to 888 Auctions’ Terms and Conditions of Sale. Bidding is available by live in-house bidding and absentee. A 20% buyer's premium is added to the hammer price of each lot. PAYMENT BY, BANK DRAFT, CERTIFIED CHEQUE OR WIRE TRANSFER ONLY. The auctioneer and 888 Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. The auctioneer will also have full discretion to reopen the bidding, cancel the sale or re-offer and resell the property. Should a dispute arise after the auction, our sale record is conclusive.
Bird and flower, Chinese ink and watercolour on fan, signed Cui Zifan and sealed. 25 x 54 cm. Cui Zifan is a well-known Chinese ink painter recognized for his spontaneous style and versatility, reminiscent of Qi Baishi (the most influential ink painter in the history of Contemporary Chinese art). Lars Berglund, former curator at the Museum of Far Eastern Antiquities in Stockholm first introduced the director of Alisan Fine Arts to Cui in 1991 while the artist had a solo exhibition in Macau. Alisan Fine Arts then held a solo exhibition for Cui in 1992, for which Prof Berglund wrote an essay in the accompanying catalogue stating that Cui “has succeeded so well in cultivating his clumsiness that his style of painting has been called refined clumsiness (hou zhuo).” From an early age Cui developed an interest in painting but never had the opportunity to formally study art. Although his family lacked the means to buy brushes, paper, and other art supplies, Cui was not deterred. He would practice his art and calligraphy on a table, substituting ink with limewash. His paintings have a natural and deliberate naivete that make the compositions look deceptively simplistic, achieving the effect of “disciplined abandonment.” In adulthood, Cui struggled to find time to paint due to his many public posts. It was not until 1951, under the influence of his friend and advisor Qi Baishi, that Cui carved out the time to dedicate to his craft. From 1956, Cui held several official posts, first as Secretary-General of the Beijing Academy of Chinese Painting, then as its Vice-President. He was also a council member of the Beijing Branch of the Union of Chinese Artists and Honorary President of the Research Association of Bird and Flower Painting in Beijing. In 1979 he was a consultant to the Beijing Municipal Bureau of Culture. In 1994 the Cui Zifan Museum was established in Qingdao. His works have been exhibited in numerous countries and collected by the National Art Museum of China, Beijing; Fine Art Museum of Research Institute of Traditional Chinese Painting, Beijing; Beijing Art Academy, Beijing; Shandong Museum, Jinan; Tianjin Art Museum, Tianjin; The Metropolitan Museum of Art, New York; and other national museums in America, Canada and Sweden. PROVENANCE: T. Ng Collection Toronto.
---以下为第三方软件翻译,仅供参考---
品相报告
All authorship of items in this catalog are described according to the following terms:
By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.