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1896 to early 20th centuryThe first of square shape dating to the Jiaqing period, continuously painted to the side walls in famille rose enamels between underglaze blue and gilt decorated bands, depicting a fictional theme of a male and a female each accompanied by their servants, visiting a Buddhist shrine located in a pleasantly landscaped terrace, the carefully recessed circular foot centered with the four-character mark (chips; traces of gilt on lip); the second enameled in green and pink, molded as a large, folded lotus leaf with lotus pod and blossoms issuing from slender stems to its narrow sides; the third a gently tapering cylindrical bottle painted in iron-red with large goldfish; the last three of cylindrical form each featuring an erotic theme painted in black ink, iron-red and enamels (all lacking spoons, each with surface wear).2 1/2 to 3 1/4in (6.4 to 8.3cm) high