The Famille Rose enamelled wares of the Daoguang period were famous for their intricate decoration and delicate appeal. For a color-scheme related example cf. Avitabile, From the Dragon's Throne: Chinese Porcelain from the 19th and 20th Centuries in the Weishaupt Collection, London 1987, p. 50, no. 53. See also: The Complete Collection of Treasures of the Palace Museum: Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong 1999, pl. 188-190.
Condition:
The vase is in good condition with slight signs of age and use. Partly gold and enamel wear. The height measures 29.5 cm.
Famille Rose 粉彩
The term Famille Rose describes a specific sort of Chinese porcelain introduced in the 17th century. The name comes from the dominant pink and carmine color painting that is applied over the glaze. This type of porcelain is in China known as Yangcai 洋彩 ‘foreign color’. The painting of the Famille Rose used opaque enamel colors in contrast to the transparent colors of the Famille Verte.
Eight Auspicious Symbols of Buddhism
The ‘Eight Auspicious Symbols’ (bajixiang 八吉祥) were introduced to China with Tibetan Buddhism during the Yuan dynasty (1279-1368) and have been widely used in Chinese decorative arts. The symbols include the Wheel of the Dharma (falun 法轮) symbolizing knowledge, the conch shell (faluo 法螺) symbolizing the thoughts of Buddha, the victory banner (fazhuang 法幢) symbolizing the victorious battle of Buddha’s teaching over all hindrances, the parasol (fagai 法盖) symbolizing protection and spiritual power, the lotus flower (lianhua 莲花) symbolizing purity and enlightenment, the treasure vase (baoping 宝瓶) symbolizing inexhaustible treasure and wealth, the fish pair (shuangyu 双鱼) symbolizing conjugal happiness and freedom from restraint and the endless knot (panjie 盘结) as a symbol of harmony.
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