A comparable Doucai dish can be found in the Palace Museum of Beijing.
Condition:
The charger has been repaired. Minor loss of material is visible. The diameter is 51.5 cm and the height is 9.5 cm
Doucai 斗彩
Doucai, which can be translated as ‘joined’ or ‘contrasting colors’, is a combination of underglaze cobalt blue contours with enamel colors, except blue, within the outline on the fired glaze. The blue color was applied as well as the contours under the glaze. This technique was invented in the early 15th century and perfected by the emperor Chenghua (1465-1487). In the 18th century, the technique was revived and the emperors of the Qing dynasty, such as Yongzheng and Qianlong followed Chenghua's passion for doucai objects and copied numerous pieces with the typical, sought-after pattern.
Eight Auspicious Symbols of Buddhism
The ‘Eight Auspicious Symbols’ (bajixiang 八吉祥) were introduced to China with Tibetan Buddhism during the Yuan dynasty (1279-1368) and have been widely used in Chinese decorative arts. The symbols include the Wheel of the Dharma (falun 法轮) symbolizing knowledge, the conch shell (faluo 法螺) symbolizing the thoughts of Buddha, the victory banner (fazhuang 法幢) symbolizing the victorious battle of Buddha’s teaching over all hindrances, the parasol (fagai 法盖) symbolizing protection and spiritual power, the lotus flower (lianhua 莲花) symbolizing purity and enlightenment, the treasure vase (baoping 宝瓶) symbolizing inexhaustible treasure and wealth, the fish pair (shuangyu 双鱼) symbolizing conjugal happiness and freedom from restraint and the endless knot (panjie 盘结) as a symbol of harmony.
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