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Ink and colors on silk Mounted as vertical scroll painting in a silk brocade frame China, 18th/19th century After SHEN Zhou (1427-1509) – one of the best known Chinese painter of the Ming dynasty Depicted is an idyllic landscape with a placid lake with boats, high mountains, gnarled pine trees, a hiking trail and buildings in the background Lower left signed Changzhou Shen Zhou on a summer day in the year Jiwei in the Hongzhi era (1499) (弘治己未夏日长洲沈周) Artists label: Qinan 启 南 Inscription upper right: Text by Zhang Chou (1577-1643) 前山后山云气深/大树小树寒萧森/不知何处钓隐者/日暮泊船溪水阴 The clouds between the mountains are very deep/the coldness can be felt between the large and small trees/fishermen and hermits, with unknown origin/lay at the dusk their boats on the riverside 戊子春正月购得此卷/夜阑无事/因取此卷燃两短敬识/于三吴藩属/青父张丑 (I) have bought this handscroll in the first month of the year Wuzi/(I) was idle at night/(that is why) I take this roll and write a few lines on it/in residence of Wu area Among a seal of Zhang Chou 张丑之印 With numerous collectors seals - lower right Xiaoying 小 影, Wuxi 无 禧, Jinghui Zhuren yinshang 精 洄 主人 印 赏, lower left i.a. Guhuan tang 古 欢 堂, Baishiweng 白石 翁, Dongshi Tushu 董氏 图书 Inscribed on the outside of the scroll painting, with a wax seal and a Chinese label Image dimensions: c. 238 x 35 cm Good age related condition Provenance: Collection of Dr. Viktor Brodnig, President of the Austrian-Chinese Society Estimate by Auctionata Expert: 30,000 Euro
SHEN Zhou was born in the city of Suzhou, Jiangsu Province and is famous for its landscapes and its ‘boneless’ flowers works in the meticulous style of Yuan period painters. SHEN Zhou combined in his later works also different styles of painting and experimented with different elements such as a he combination of painting, poetry and calligraphy. SHEN was the founder of the so-called Wu school, which paintings were characterized by inscriptions describing the painting, date, method, or reason for the work, which is usually seen as a vehicle for personal expression.
This work shows a typical three-layer composition of paintings from the Ming Dynasty. The river divides the image optically in two corresponding areas. So one side by high mountains in a fine blue-green trees and is dominated in the foreground, the other side of a background with a wide landscape in the distance and buildings on the banks. The vital and simple brushwork and the vigorous use of ink differs SHEN's work of painting of the Yuan time painter and his model NI Tsan.
Condition:
The work is in good age related condition with signs of wear. Stains, crease marks, tears, partly little loss of material, color rubbing and small restoration at the silk. The image dimensions are c. 238 x 35 cm.
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