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Oil on canvas, framed. Featuring a portrait. Signed with initials and attr. Georges Rouault (French, 1871-1958) on the lower right corner. 48.5 x 39 cm (19.1 x 15.4 in). Georges Rouault was a French artist whose work melded Fauvism and Expressionism with its jewel-like tones and bold graphic lines. Alongside Henri Matisse, Andre Derain, Rouault culled from his spiritual fervor and knowledge of medieval stained glass to produce resonating portraits, landscapes, religious scenes, and still lifes. In one of his hallmark works The Old King (1916-1936), the painter poetically explores the power of symbolism and primary colors. "For me, painting is a way to forget life. It is a cry in the night, a strangled laugh," he once reflected. Born on May 27, 1871 in Paris, France, he apprenticed with a stain glass artisan while studying at the ecole des Arts Decoratifs, he later studied at the Ecole des Beaux-Arts under the famed Symbolist painter Gustave Moreau, who became an influential mentor. Between 1895 and 1898, the artist became a devout Roman Catholic as well as going through an emotional breakdown. He came out of this revitalized, moralistic and religious, Rouault displayed an interest in the flaws of society and began frequenting Parisian courts of law to find subjects to paint. Throughout the remainder of his career, much of his work was devoted to the depiction of prostitutes, clowns, and Christ. Rouault died on February 13, 1958 in Paris, France at the age of 86. Today, his works are held in the collections of the Carnegie Museum of Art in Pittsburgh, the Musee d’Orsay in Paris, the Hermitage Museum in St. Petersburg, and the Tate Gallery in London, among others. PROVENANCE: Southern Ontario estatae
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By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
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American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.