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A fine ceramic vase. Signed and attr. Victor Vasarely (French-Hungarian, 1906-1997) running alongside the footrim. Gallery label on base inscribed. 18 x 10 x 10 cm (7.1 x 3.9 x 3.9 in.), 583 grams. Victor Vasarely was a French-Hungarian artist credited as the father of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Vásárhelyi Gyozo on April 9, 1906 in Pécs, Hungary, he briefly studied medicine at university, but after two years dedicated himself instead to painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked as a graphic artist while creating many proto-Op Art works including Zebra (1937). The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard works. Op Art went on to have a number of practitioners, including Bridget Riley and Yaacov Agam. The artist died at age 90 on March 15, 1997 in Paris, France. His works are presently held in the collections of the Albright-Knox Art Gallery in Buffalo, the Art Institute of Chicago, the Tate Gallery in London, and the Peggy Guggenheim Collection in Venice. PROVENANCE: Private European collection
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By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.