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全球拍卖首页 > 888 Auctions Inc. > 西方艺术画、中国钱币与亚洲古董 > Lot 30
ZHANG DAQIAN Chinese 1899-1983 Watercolor Beauty
加拿大 北京时间
2018年09月14日 开拍
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拍品描述 翻译
Tang style painting of beauty; ink and watercolour on paper; hanging scroll; signed Zhang Daqian (Chinese, 1899-1983), inscribed with 4 artist seals; with certificate signed by Zhang Daqian's grandson. 103 x 45 cm (40.55 x 17.72 in.). Inscription states, ?“Fang Tang Ren Bi Hua Yun Bi, Bing Zi Nian Shu Jun Zhang Ai // Lao Bing Wei Mo Se Xiao Shu / Bing Yuan Chan Ta Wei Quan Gu / Bu Zhi Xiang Si Ceng Zeng Jian / Hai Xu Man Tuo Zuo Ti Wu // Da Qian Ju Shi Zai Ti Yu Mo Ye Wen Bao Zhong.?” Dated New Year, bingzi year (1936) In addition to his prized original works, Zhang has become equally well known for his recreations of Chinese masterpieces. His copies span 1,000 years of Chinese art and demonstrate a virtuoso talent for emulating, and even improving upon, the work of painters before him. Today many examples of his works, still attributed to others, hang alongside Zhang originals in museums worldwide. Zhang Daqian (also known to some as Chang Dai-chien) was born on May 10, 1899 in Nei-chiang, Szechwan as Chuan Chi, the ninth child of a wealthy family who had converted to Roman Catholicism. Resisting his family's efforts to push him into a business career, Zhang briefly entered a Buddhist monastery before beginning serious study of Chinese calligraphy and painting at the age of 19. After an extended visit to Kyoto, Japan, Zhang settled in Shanghai in 1919 to study with prominent artists Tseng Hsi (c.1861-1930) and Li Jui-ching (1867-1920). In a training method typical among art students in China, Zhang made many arduous copies of artistic masterworks, beginning to develop his legendary ability to recreate works from diverse periods. Because of his family wealth, Zhang first entered the Chinese artistic community as an amateur painter and connoisseur. The collapse of several family businesses in 1925 deprived Zhang of his income and compelled him to begin selling his art work. His first exhibition of 100 paintings in 1926 was a great success and launched his career. The start of the Sino-Japanese War in 1937 began a period of war and revolution that repeatedly disrupted Zhang?’s artistic efforts, forcing him into flight several times. In 1939 he found refuge in the remote desert outpost of Tun-huang, where he spent more than two years learning from the legendary murals in the Caves of the Thousand Buddhas.

Leaving China in the wake of the Civil War of 1949, Zhang sojourned in Hong Kong, Taiwan, India and Argentina before settling in 1954 into a 30-acre compound outside Sao Paolo, Brazil that he named the ?“Garden of Eight Virtues.?” Zhang continued to exhibit his art in the US and Europe, traveling to Paris in 1956 for a breakthrough show of his paintings at the Mus??e d'Art Moderne. Zhang's meeting with Pablo Picasso during this trip was given considerable attention in the press as a meeting of the masters of Western and Eastern art. A dam construction project in the mid-1960s that would flood his home caused Zhang to leave Brazil. California had impressed Zhang during his numerous trips to the state, the first of which was in 1954. Zhang moved to the Monterey Peninsula in 1967, eventually acquiring both a home in Carmel and another on the scenic Seventeen Mile Drive. Zhang relocated to Taiwan in 1976, spending the last seven years of his life painting and creating his garden home known as the "Abode of Illusions." He never returned to California after 1979. PROVENANCE: Previously in the private collection of Mr. Kong Ming Ma, (1937-2017) and purchased directly from Zhang Daqian's studio in Taiwan and thence by Mr. Kong Ming Ma, (1937 -2017) (school name as Yi Jia, also known as Mu Shui). He was born and raised in Hong Kong. Mr. Ma was a famous Cantonese chef in both Hong Kong and Taiwan in the eighties. He opened a Cantonese Style Seafood Restaurant named "Guo Long Restaurant" in Castle Peak Road, Kowloon and Wan Chai District, Hong Kong Island during the 60?’s. At that time, he met Mr. Hu Renmu. Mr. Hu was one of the founders and the First President of ?“Min Qiu Jing She,?” Hong Kong. Both of them had become good friends. Gradually, he had begun to get involved in collecting Chinese painting and calligraphy artworks. In the 70?’s, Mr. Ma started visiting artists such as Zhang Daqian. He traveled to, Brazil, England, Japan, and the USA to visit artists and collect artworks directly from them. In Early 80?’s, he has served the Taipei Crown Plaza Hotel, Lin Park Hotel and Grand Hotel Taipei as Chief Executive Chef and Director. While living in Taiwan, he was able to meet the descendants of Mr. Zhang Daqian. In 1989 Mr. Ma and his family migrated to the United States. In the mid 90's he started to travel to China and focusing on building his collections of the late modern Chinese artists’ artworks mainly in Chinese ink paintings. Mr. Ma passed away in Feb 2017.

Photographs featuring 马光明(1937-2017) with Zhang Daqian are available upon request. These photographs feature (1937-2017) at an exhibition of Zhang's work held at the Intercontinental Mark Hopkins Hotel, San Francisco on November 1972. The photographs are said to be from the major retrospective presented in 1972 by the Asian Art Museum of San Francisco in which the exhibition presented several mural scale works as part of the gathering of one work from each year of Zhang Daqian's professional career.
品相报告
All authorship of items in this catalog are described according to the following terms:

By [Artist Name]: In our opinion, the work is by the artist.

Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature: In our opinion, the signature on the artwork may be spurious.

Apocryphal: Of doubtful authenticity.

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拍品估价：18,000 - 23,000 美元 起拍价格：3,000 美元  买家佣金： 20.00%

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