All sales are subject to 888 Auctions’ Terms and Conditions of Sale. Bidding is available by live in-house bidding and absentee. A 20% buyer's premium is added to the hammer price of each lot. PAYMENT BY, BANK DRAFT, CERTIFIED CHEQUE OR WIRE TRANSFER ONLY. The auctioneer and 888 Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. The auctioneer will also have full discretion to reopen the bidding, cancel the sale or re-offer and resell the property. Should a dispute arise after the auction, our sale record is conclusive.
Oil on canvas, framed. Featuring a landscape scene. Signed and attr. Anton Rooskens (Dutch, 1906-1976) on the lower left corner. 23 x 29 cm (9 x 11 in.). Frame size: 30 x 37 cm (12 x 14.5 in.) Years before the founding of Cobra, Rooskens was already an established painter who had several solo exhibitions. He was the eldest of the preceding group 'The Experimentalists' and the only one who had developed his own style prior to the event of Cobra. His war experiences and the impact of seeing ancestral effigies from New Guinea at an exhibition called 'Kunst in Vrijheid' (Art in Freedom) in 1945 convinced him that a complete new approach was called for. At the time he joins the Cobra group in 1948 he is 39 years old. Creating spontaneously was, according to many Cobra painters, more important than the final result. This idea led to a free style of painting for Rooskens. He did not worry any longer whether one could recognize the motif, but paints vigorous forms during this period. He uses black and very bright colours, a combination that grants his art a dynamic character. In the present lot a deep red in the background is combined with bright yellow, green and black. The fluent and lively brushstrokes seem to be applied nearly automatically and more or less subconsciously. Over it he paints with strong lines a mysterious figure in dark orange. Unlike his colleagues Appel and Brands, Rooskens was never inspired or influenced by children's drawings. Instead he worked with controlled spontaneity. He did use the child as a motive, but without associating it to childishness and naivety. His forms remain primitive emphasizing magic, like in the intriguing contrast between the black and red in the present lot.?PROVENANCE: Southern Ontario estate
---以下为第三方软件翻译,仅供参考---
品相报告
All authorship of items in this catalog are described according to the following terms:
By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.