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全球拍卖首页 > 888 Auctions Inc. > 现代艺术、书画与中国古董 > Lot 204
MARIANNE VON WEERFKIN Russian 1860-1938 OOC
加拿大 北京时间
2018年10月12日 开拍
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拍品描述 翻译
Oil on canvas. Featuring a portrait. Signed and attr. Marianne von Werefkin (Russian, 1860-1938) on the lower right corner. Gallery label on verso with notation. 49 x 32.5 cm (19.3 x 12.8 inches). Marianne von Werefkin was a Russian artist whose shimmering tempera paintings contributed to the discourse of the Blauer Reiter group. Through self-portraits and landscapes, she conveyed the otherworldly distortion experienced in profound emotional states. “One life is far too little for all the things I feel within myself, and I invent other lives within and outside myself for them,” she once mused. “A whirling crowd of invented beings surrounds me and prevents me from seeing reality. Color bites at my heart.” Born Marianna Wladimirowna Werewkina on September 10, 1860 in Tula, Russian Empire (currently Lithuania), she began taking drawing classes at that age of 14 and was a private student of the renowned realist painter Ilya Repin. In 1892, she met the impoverished artist Alexej von Jawlensky and moved with him to Munich in 1896. Their turbulent relationship was more beneficial to Jawlensky than Werefkin, as she financially supported both of them while he pursued his career. Werefkin went so far as to establish a Salon in Munich for the sake of exhibiting and championing his work. Influenced by the works of Edvard Munch as well as her conversations with Wassily Kandinksy, his lover Gabriele Münter, and Jawlensky, Werefkin probed deeper into expressive uses of color. At the onset of World War I, she and Jawlensky moved to neutral Switzerland, with their troubled relationship ending in 1921. Werefkin died in relative poverty on February 6, 1938 in Ascona, Switzerland. Today, her works are held in the collections of the Lenbachhaus in Munich, the Milwaukee Art Museum, and the Museo Comunale d’Arte Moderna in Ascona, among others. PROVENANCE: Private estate (Perugia, Italy)
品相报告
All authorship of items in this catalog are described according to the following terms:

By [Artist Name]: In our opinion, the work is by the artist.

Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature: In our opinion, the signature on the artwork may be spurious.

Apocryphal: Of doubtful authenticity.

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拍品估价：4,000 - 6,000 美元 起拍价格：300 美元  买家佣金： 20.00% 服务费：本专场服务费按成交价（含佣金）的1.5%收取，最低200元

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