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Oil on canvas, framed. Featuring an abstract expressionist composition. Signed and attr. Norman Lewis (American, 1909-1979) on the lower right corner. 44.5 x 39.5 cm (17.5 x 15.6 inches). In the late 1940s, his work became increasingly abstract. His total engagement with abstract expressionism was due partially to his disillusionment with America after his wartime experiences in World War II. It seemed extremely hypocritical that America was fighting "against an enemy whose master race ideology was echoed at home by the fact of a segregated armed forces."[5]?Seeing that art does not have the power to change the political state that society was in, he decided that people should develop their aesthetic skills more, instead of focusing on political art.?Tenement I (1952),?Harlem Turns White (1955), and?Night Walker No. 2 (1956)?are all examples of his style.?Twilight Sounds (1947)?and?Jazz Band (1948)?are examples of his interest in conveying music. PROVENANCE: Private estate (Toronto, ON)
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By [Artist Name]: In our opinion, the work is by the artist.
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American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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