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Mixed media on paper, framed. Featuring a suprematist expressionist composition. Signed and attr. El Lissitkzy (Russian, 1890-1941) on the lower right corner. 24 x 19 cm (9.4 x 7.5 inches). Frame size: 45 x 35 cm (17.7 x 13.8 inches). A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Building on the philosophy of Kazimir Malevich and Suprematism, Lissitzky, Aleksandr Rodchenko, and the Constructivists sought to dedicate their art to the advancement of Soviet society. Lissitzky’s political poster Hit the Whites with the Red Wedge! is a seminal example of Constructivism, which employs allegorical geometric shapes and text to capture the Bolshevik ideology of progress, formalizing the rejection of established artistic traditions. Believing art to have the power to transform society, Lissitzky said, “Art can no longer be merely a mirror, it must act as the organizer of the people's consciousness.” PROVENANCE: Southern Ontario estate
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By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
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American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.