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全球拍卖首页 > The Great Value Auctions > 亚洲艺术精品拍卖会 > Lot 117
元青花鱼澡纹大罐：A Finely Chinese Blue/White Porcelain Jar Yuan Dynasty
加拿大 北京时间
2018年11月21日 开拍
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拍品描述 翻译
元青花鱼澡纹大罐： 拍品尺寸：高:28.6cm, 宽:36.5cm; 外口径:21cm, 底外径:22cm。 拍品来源：北美欧美裔家族 遗留藏品。 拍品特征：罐器圆口折沿，丰肩，鼓腹，收腰，圈足。胎体坚质，造型规整，青花发色蓝艳。底足微向外撇，凹足，造型敦厚沉稳。此器釉面尽显几百年的历史沧桑感和包浆。 此类元青花器罐通常有一个荷叶形盖，很可能在流传过程中丢失。罐上的青花装饰以图案式和绘画式相结合，口颈部位绘连续的几何纹，肩部，腹部以及下部，整个器身的画面，滿绘一幅莲花盛开的夏日景象，几条鱼儿在荷花盛开的莲塘里或觅食，或嬉戏，或小憩，或两两相伴，窃窃私语。若将整个画面展开，将定是一幅洋溢着生活气息和情趣的中国画。此件罐所用的青花料也应是进口钴料，发色为典型的元代青花瓷器的紫蓝色。大罐整体画面丰富饱满，富有韵味。 此罐即为元代青花瓷器中的三大经典造型之一，罐器造型大、沉重厚实。口沿和脖颈都线条流畅，外型圆润。罐器腹部留下拼接痕迹。画笔轻松自如，酣畅自然，不做作，不像瓷工所绘，而似文人画家在瓷片上作画。整器青花色泽蓝艳，美丽，层次丰富，莲花，鱼儿的图案表现非常生动，形象，可爱，纹饰画法规整自然，形象生动，令人过目难忘。 元青花瓷器总体分两种色调，一种呈灰蓝色，较浅淡，一种是深蓝色，较艳丽。传统概念中，呈色灰蓝者为国产料，呈蓝艳者为进口料。对照于进口料的浓艳特点，此罐的青花发色为蓝艳丽的进口料。 罐器内壁不施釉，内壁口沿胎釉结合部的一线有明显自然的火石红色。(火石红中，斑点红、一线红的形成状态最为自然，最不好模仿，认可率最高。) 元代器物采用手工拉坯或脱坯成型工艺，在罐器物内壁留下明显的指纹和旋纹。罐器口部釉厚薄不匀，釉薄处显米黄色。器物口边有的有毛边现象。 器底浅圈足，宽矮足墙，双面斜削，但坡面很小。器底隐约可见较粗较疏螺旋状的旋削纹。 元青花瓷的器底不施釉，称之糙底或砂底，胎釉结合部的一线胎红和釉下胎红(火石红)更是鉴别元青花瓷器的主要特征。 器底部有釉斑。釉斑或多或少，大小不等，形状不规则，呈青白釉色。 元代青花瓷的胎质胎质重而坚，器壁较厚，沉重厚实，大器较多。由于含杂质多，胎上大多有铁褐色小点。器底表面有铁锈斑点。锈斑坚硬，不易去除，锈色极深，呈黑褐色，砂底火石红。在当前的鉴定界、研究界对火石红的产生和鉴别的大多数观点是一致的。 元青花大罐绘画鱼澡纹图案，稀罕珍贵。-----------------------------------Yuan Dynasty blue-and-white fish bath pattern jar: Lot size: Height: 28.6cm, Width: 36.5cm; Outer diameter: 21cm, Outer diameter: 22cm. Lot Source: North American and European-American family Remains. Characteristics of the Lot: The round mouth of the can is folded along, and the abundance of shoulders, bulging drums, waists, and loops. The carcass is firm, regular in shape, and blue and blue. The bottom foot is slightly outward, concave, and the shape is strong and steady. The glaze of this device shows hundreds of years of historical vicissitudes and pulp. These type of blue cans usually have a lotus leaf cover that is likely to be lost during circulation. The blue-and-white flowers on the cans are patterned and painted, and the mouth and neck are painted with continuous geometric patterns. The shoulders, the abdomen and the lower part of the whole body are full of pictures of a summer lotus blossom. Fish in the lotus pond in full bloom or foraging, or frolicking, or small, or accompanied by two, whispering. If the whole picture is unfolded, it will be a Chinese painting full of life flavor and interest. The blue-and-white flower used in this tank should also be imported cobalt material, and the hair color is the purple blue color of a typical Yuan Dynasty blue and white porcelain. The big picture of the tank is full and full of flavor. This can is one of the three classical models in the Yuan Dynasty blue and white porcelain. The cans are large and heavy. The rim and neck are smooth and rounded.Canned abdomen leaves stitching marks. The brush is easy and comfortable, smooth and natural, not artificial, not like the porcelain workers painted, but like the literati painter painted on the tiles. The blue color of the entire device is blue, beautiful, rich in layers, and the pattern of lotus and fish is very lively. The image, the cuteness, and the decorative painting regulations are all natural, vivid and unforgettable. The blue and white porcelain is generally divided into two shades. One is grayish-blue, lighter, and the other is dark blue. In the traditional concept, the color gray-blue is domestic material, and the blue-yan is imported material. In contrast to the rich and colorful characteristics of imported materials, the blue-brown hair color of this tank is a blue-looking imported material. The inner wall of the cans is not glazing, and there is a clear natural flint red along the line of the joints of the glazes. (Flint red, spotted red, first-line red form the most natural state, the most difficult imitation, the highest rate of approval.) Yuan dynasty utensils using manual drawing or blanking molding process, leaving a clear fingerprint and spin on the inner wall of cans Pattern. The thickness of the glaze at the mouth of the cans was uneven, and the thin glaze was yellowish. There are flashes on the edges of utensils.The bottom of the device is a full-footed, wide-footed wall with double-sided beveling, but the slope is very small. The bottom of the device is vaguely visible as a coarser, heavier, spirally-shaped cutting pattern. The base of the Yuanqinghua Porcelain is not glazed, and it is called the rough bottom or the sand bottom. The first line fetal red and the underglazed fetal red (Flint red) in the joint of the fetal glaze are the main characteristics of the identification of the blue and white porcelain. There is a glaze at the bottom of the device. Glazes are more or less, vary in size, irregular in shape, and have a white-green glaze. In the Yuan Dynasty, the fetal quality of the blue and white porcelain was heavy and firm, with thick walls, heavy and thick, and large appliances. As there are many impurities, most of the fetal iron brown spots. Rust spots on the bottom surface of the device. The rust is hard and hard to remove. The rust color is very dark and dark brown. The sandstone is red at the bottom. Most opinions on the generation and identification of Flint red in the current identification community and research community are consistent. Yuan blue and white cans painting fish bath pattern, rare precious。
品相报告
Good condition. Age discolored, natural inclusions. Take all pictures at daylight source. 状况报告：状况良好,年久变色, 有自然夹杂物. 所有拍摄在自然光源下

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拍品估价：50,000 - 150,000 美元 起拍价格：50,000 美元  买家佣金： 20.00%

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