唐三彩宝相花纹盘:拍品尺寸:直径:21cm. 拍品来源: 北美地区欧美裔古董商 珍藏品。直径:21cm. 说明:此盘以宝相花为装饰。宝相花是唐代最普遍采用的纹饰,通常以莲花、牡丹等图案为主体,加上各种花苞、花瓣、枝叶,再嵌上各色宝珠。四面、六面、八面对称为最典型的图案。宝相代表佛的庄严形象,所以宝相花是相当庄重的纹饰。本品唐三彩釉盘,完整无缺,纹饰精美,可谓是三彩盘中的极品,应为博物馆级别的珍贵藏品,极具收藏价值。 唐三彩盘 为绿、黄、白三彩色;器物规整,包浆厚实,色彩深沉,声音较脆,开片纹边沿起翘,有哈利光显现。翘边纹的开片是鉴定唐三彩的极为重要的特征! 放大镜下的釉面,破碎的死气泡清晰可见。土锈入骨。土锈不是浮土,是清洗不掉的。土锈是和器物结合在一起,很硬很结实的东西,硬去清理土锈,可能连器物本身都会损伤。 釉面呈细碎的芝蔴大小的开片。盘子的胎和釉面的密度不一样,热胀冷缩时的收缩系数也不一样,时间长了,器物表面就会出现细密的裂纹,这就是开片。后世的瓷器,因为变成白瓷胎,密度和釉面相近,所以就没有开片了。盘面斜对光可见满盘的宝光。宝光也叫蛤蜊光,如贝壳内壁上的七色彩光,古瓷器年深日久就会产生这种光泽。 参考资料:唐三彩主要分布在长安和洛阳两地,在长安的称西窑,在洛阳的则称东窑。我们今天看到的唐三彩,绝大部分都是出于墓葬,唐代盛行厚葬,上至百官贵戚,下至平民百姓,都讲究陪葬。但唐三彩绝不仅仅是用于陪葬的冥器,它也有着大量的日用品。我们在唐代的壁画上常可以见到它们的影子,只是因为它们太容易破碎,经过了1300多年的岁月,能完整保留至今的是太少太少。 从国家考古研究报告看,截止2007年,陕西、河南二地出土的唐三彩盘只有5件。完整器就更少。比如洛阳博物馆藏的那个盘子,就是破碎后修复的。 近年来,随着城市开发,民间出现了很多唐三彩的器皿,其中也有三彩盘,也有蓝釉器。 唐三彩盘纹饰精美,观赏性强,历来是各大博物馆争相收藏珍品。法国吉美博物馆和美国大都会博物馆都收藏有唐三彩盘。参阅图8:几家大博物馆和二位收藏家的藏品图片。-------------------------------------------------------------------- Tang San Cai Bao phase pattern plate: Lot size: Diameter: 21cm. Source of auction: North American antique dealers from Europe and America. Diameter: 21cm. Description: This plate is decorated with Bao Xianghua. Bao Xianghua is the most commonly used ornamentation in the Tang Dynasty. It is usually composed of lotus, peony and other motifs, plus a variety of flower buds, petals, branches and leaves, and then embedded in a variety of orbs. Four sides, six sides, and eight sides are called the most typical patterns. Bao Xiang represents the solemn image of the Buddha, so Bao Xianghua is a very dignified ornament. This product, Tang Sancai glaze dish, is intact and exquisitely decorated. It can be said to be the best in the three-color plate. It should be a museum-level precious collection with great collection value. Tang Sanpai is colored in green, yellow and white. The objects are regular, thick and thick, with deep colors, and the sound is more brittle. Alice Alice's opening film is an extremely important feature to identify Tang Sancai! Glazed under a magnifying glass, broken dead bubbles are clearly visible. Soil rust into the bone. Soil rust is not a floating soil and it cannot be washed away. Soil rust is a combination of artifacts, very hard and strong, hard to remove soil rust, and may even damage the artifacts themselves. The glaze is a piece of finely crushed sesame seeds. The density of the tires on the plate and the glaze is not the same. The coefficient of shrinkage during expansion and contraction is not the same. After a long time, fine cracks appear on the surface of the device. This is the opening. Later generations of porcelain, because they became white porcelain, had similar density and glaze, so there was no opening. Oblique light can be seen on the plate full of light. Baoguang also called Shuguang, such as the seven-color light on the inner wall of the shell, ancient porcelain will produce such luster for a long time. References: Tang Sancai is mainly distributed in Chang'an and Luoyang. It is called West Kiln in Chang'an and East Kiln in Luoyang. Tang Sancai, who we saw today, is mostly due to tombs. The Tang Dynasty prevailed in thick burials, up to Baiguan Guiqi, and down to the common people, and paid attention to funerals. However, Tang Sancai is not just a veiled device for burial, it also has a large number of daily necessities. We can often see their shadows in the murals of the Tang dynasty just because they are so easily broken that after more than 1,300 years of years, it is too few and too few to survive. From the national archaeological research report, as of 2007, there were only five Tang San colored plates unearthed in Shaanxi and Henan. The complete device is even less. For example, the plate in the Luoyang Museum is repaired after being broken. In recent years, with the development of cities, there have been a lot of Tang Sancai vessels, including three-color plates and blue glazes. The Tang Sanpai plate is exquisitely decorated and has strong ornamental qualities. It has always been a collection of treasures of major museums. Both the Kyrgyz Museum in France and the Metropolitan Museum of the United States have collections of the Tang tricolor. See Figure 8: Pictures of collections of several large museums and two collectors.
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品相报告
Good condition. Age discolored, natural inclusions. Take all pictures at daylight source. 状况报告:状况良好,年久变色, 有自然夹杂物. 所有拍摄在自然光源下.