All sales are subject to 888 Auctions’ Terms and Conditions of Sale. Bidding is available by live in-house bidding and absentee. A 20% buyer's premium is added to the hammer price of each lot. PAYMENT BY, BANK DRAFT, CERTIFIED CHEQUE OR WIRE TRANSFER ONLY. The auctioneer and 888 Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. The auctioneer will also have full discretion to reopen the bidding, cancel the sale or re-offer and resell the property. Should a dispute arise after the auction, our sale record is conclusive.
Mixed media on paper, newly framed. Featuring a portrait of a woman. Signed and attributed to Franco Gentilini (Italian, 1909-1981) on the upper left corner. 28 x 20.5 cm (11.0 x 8.1 inches). Frame size: 44 x 36.5 cm (17.3 x 14.4 inches). Franco Gentilini worked as a ceramist in Faenza and collaborated with Giovanni Romagnoli and Giorgio Morandi in Bologna. He took part in numerous editions of the Venice Biennale, beginning with the acceptance of his work for the 17th Esposizione Internazionale d’Arte della Città di Venezia in 1930, when he also visited Paris. He moved to Rome in 1932 and held his first solo show at the Galleria di Roma with works in an archaic style inspired by pre-Renaissance Italian art. He also established himself as a fresco painter. He took part in the 5th Esposizione Internazionale delle Arti Decorative in Milan in 1933 and the 2nd Quadriennale Nazionale d’Arte in Rome in 1935, on which occasion the city’s governing body bought one of his works. It was in the late 1930s that he began to associate with the artists of the Roman School. There was considerable demand for his work among private Italian collectors after World War II, not least because of his participation in numerous exhibitions. PROVENANCE: Southern Ontario estate
---以下为第三方软件翻译,仅供参考---
品相报告
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.
All authorship of items in this catalog are described according to the following terms:
By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.