All sales are subject to 888 Auctions’ Terms and Conditions of Sale. Bidding is available by live in-house bidding and absentee. A 20% buyer's premium is added to the hammer price of each lot. PAYMENT BY, BANK DRAFT, CERTIFIED CHEQUE OR WIRE TRANSFER ONLY. The auctioneer and 888 Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. The auctioneer will also have full discretion to reopen the bidding, cancel the sale or re-offer and resell the property. Should a dispute arise after the auction, our sale record is conclusive.
Acrylic and gouache on paper. Executed 1968, matted and in wood frame, entitled, "Swimming." Signed by Robert Andrew Parker (American, b. 1927), titled, numbered, and dated 5-IV ’68 at the lower edge. 23.5 x 18.5 inch (60 x 47 cm). Strong rippling to the sheet. Born: 1927, Norfolk, Virginia, Robert Andrew Parker attended the school of the Art Institute of Chicago from 1948 until 1952 and worked during the following months at the Skowhegan School of Painting and Sculpture in Maine and at Stanley William Hayter's Atelier 17 in New York. Since his first solo show in 1954, Parker has exhibited extensively, and his credits include set designs for opera and film as well as book illustrations. In his watercolors Parker combines areas of pure color with design conceived in terms of silhouette and shape. He takes his subject matter mostly from the natural world - dogs, trees, mountains, people, birds - and condenses and simplifies imagery with a swift, expressionistic technique. During his career Parker has worked in such distinctive locales as Arles and Saint-Remy in France and the Himalayas, where a 1981 walking tour provided the subjects for a series on landscapes and fellow trekkers. PROVENANCE: The Arwin Galleries, Detroit, Michigan, United States; thence by descent.
---以下为第三方软件翻译,仅供参考---
品相报告
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.
All authorship of items in this catalog are described according to the following terms:
By [Artist Name]: In our opinion, the work is by the artist.
Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature: In our opinion, the signature on the artwork may be spurious.