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Nepal. 14th c. Early Beri style. Pigments and gold on fabric. In the central niche next to Virupa with his left arm raised sits another, not yet identifiable Mahasiddha on a pillow. Both are accompanied by a crowned Dakini. The lower register of the niche shows two connected lotus bases with colorful leafs. Fluted columns support the canopy with leafy tendrils. In each corner a small niche with a figure, in the left one a monk with a garment with golden circle patterns. Beneath Virupa a tiger skin is spread and a yogi band is holding his raised left knee. Around the large niche are a total of 84 smaller ones arranged in rows, in each of which a Mahasiddha is shown, each with a companion or a Dakini. Only in the lower right corner in two niches a worshiper and Buddhist offerings are depicted. Altogether, the number of 84 Mahasiddha corresponds to the classical tradition of Abhayadatta Sri. The rich jewelry of all figures is shown as golden circles with red and green semiprecious stones. The background between the niches is filled with mountains of jewels and trees, which is characteristic for the early Beri style. The extraordinary Thangka is painted extremely skillful and in great detail, as can be seen at the faces, but also the rich jewelry and the entire design. 52,5 x 48cm. On the back a consecration inscription in Tibetan. Condition B. Restored.Provenance:-Italian private collection. Literature: -Deborah E. Kliburg-Salter (pub): Alla scoperta del Tibet. Le spedizioni di Giuseppe Tucci e i dipinti tibetani. Compare a Thangka with a double portrait of Mahasiddha: p. 126-127. -P. Pal & Amy Heller: Himalayas - An Aesthetic Adventure. Chicago. 2003. Compare p.192, no.125, fig.1. -Rhie & Thurman: Wisdom and Compassion. London. 1991. Compare p.417, no.162. -Jane Casey: Buddhist Initiation Paintings from the Yuan Court (1271-1368) in the Sino-Himalayan Style. Asianart.com. 2014. Compare fluted columns: Fig. 16. -Shanghai Shi: The Lighting of prajna - Byams-pa collection. Shanghai. 2015. Compare for the depiction of jewelry. -David P. Jackson: Painting Traditions of the Drigung Kagyu School. New York. 2015. Compare: Ch. 5, p. 75-99.
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