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全球拍卖首页 > Lauren Gallery > 冬季亚洲古董艺术拍卖会（一） > Lot 0206
1655 MING, DONG QICHANG LANDSCAPE LONG HAND SCROLL
美国 北京时间
2018年12月15日 开拍 / 2018年12月15日 截止委托
上一件 下一件
拍品描述 翻译
16th/17th C. Dong Qichang ( 董其昌; 1555-1636) Chinese later period of Ming Dynasty traditional painting, ink on paper, laid to silk, long hand scroll. Signed and dated, in the Yimao year (ca. 1615). A Grisaille hand painting with fine brush strokes, depicting waterside and misty mountainous landscape scene. Showing characters inscriptions, and red signature seals. Mounted on pale-creme silk border, with creme silk cover.

Measurements: Scroll Width: 11 7/8" Full Scroll Length: 335 7/8"

The Sale Will Benefit for Momentum Church, GA.

PROVENANCE:
From the heirloom collections of DR. Wu Guozhen (吳國楨; October 21, 1903-June 6, 1984) was a Chinese political figure and historian, government official who served as mayor of Hankow (1932-1938), mayor of Chung-king (1939-1941), political vice minister of foreign affairs (1943-1945), mayor of Shanghai (1946-1948), and governor of Taiwan (1950-1952) and the former Chairman of Taiwan Provincial Government. He resigned in 1953 and went to the United States.
K.C. Wu lived in the United States where he served as professor of Chinese history at Armstrong Atlantic State University in Savannah, Chatham County, Georgia. During his time in the United States, he wrote various works, including a detailed analysis on Chinese culture in the context of mythology and early history in his book The Chinese Heritage.

The second part collections of DR. Wu Guozhen (吳國楨) presented and offered up to auctions:
ON DAY-1: From Lot-97 through Lot-124, and continued from Lot-204 through Lot-228.
ON DAY-2: from Lot-357 through Lot-386.

LOT NOTES:
Dong Qichang ( 董其昌; 1555-1636) pseudonym name Xuanzai (玄宰) was a Chinese painter, scholar, calligrapher, and art theorist of the later period of the Ming Dynasty. His work favored expression over formal likeness. He also avoided anything he deemed to be slick or sentimental. This led him to create landscapes with intentionally distorted spatial features. Still his work was in no way abstract as it took elements from earlier Yuan masters. His views on expression had importance to later "individualist" painters. He considered there to be a Northern school, represented by Zhe, and a Southern school represented by literati painters. These names are misleading as they refer to Northern and Southern schools of Chan Buddhism thought rather than geographic areas. Hence a Northern painter could be geographically from the south and a Southern painter geographically from the north. In any event he strongly favored the Southern school and dismissed the Northern school as superficial or merely decorative. His ideal of Southern school painting was one where the artist forms a new style of individualistic painting by building on and transforming the style of traditional masters. This was to correspond with sudden enlightenment, as favored by Southern Chan Buddhism. By relating to the ancient masters' style, artists are to create a place for themselves within the tradition, not by mere imitation, but by extending and even surpassing the art of the past. Dong's theories, combining veneration of past masters with a creative forward looking spark, would be very influential on Qing Dynasty artists as well as collectors, "especially some of the newly rich collectors of Sungchiang, Huichou in Southern Anhui, Yangchou, and other places where wealth was concentrated in this period". He, together with other early self-appointed arbiters of taste, helped determine which painters were to be considered collectible (or not). As Cahill points out, such men were the forerunners of today's art historians. Dong Qichang was the son of a teacher and somewhat precocious as a child. At 12 he passed the prefectural civil service examination and won a coveted spot at the prefectural Government school. He first took the imperial civil service exam at seventeen, but placed second to a cousin because his calligraphy was clumsy. This led him to train until he became a noted calligrapher. Once this occurred he rose up the ranks of the imperial service passing the highest level at the age of 35. His positions in the bureaucracy were not without controversy. In 1605 he was giving the exam when the candidates demonstrated against him causing his temporary retirement. In other cases he insulted and beat women who came to his home with grievances. That led to his house being burned down by an angry mob. He also had the tense relations with the eunuchs common to the scholar bureaucracy. Dong's tomb in Songjiang District was vandalized during the Cultural Revolution, and his body dressed in official Ming court robes, was desecrated by Red Guards.

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价格信息

拍品估价：5,000 - 8,000 美元 起拍价格：2,500 美元  买家佣金：
落槌价 佣金比率
0 - 100,000 25.00%
100,000 - 1,000,000 20.00%
1,000,000 - 以上 15.00%
服务费：平台根据成交金额酌情收取买家服务费

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