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Yun Bing (惲冰; 1771-1833) Chinese Qing Dynasty traditional scroll painting, ink and color on paper, laid to silk, hanging scroll. Signed and dated, in Spring of Yihai year (ca. 1815). Consist of two panels, both depicted floral blooms, with calligraphy inscriptions, followed by numerous red signature seals.
PROVENANCE: From the heirloom collections of DR. Wu Guozhen (吳國楨; October 21, 1903-June 6, 1984) was a Chinese political figure and historian, government official who served as mayor of Hankow (1932-1938), mayor of Chung-king (1939-1941), political vice minister of foreign affairs (1943-1945), mayor of Shanghai (1946-1948), and governor of Taiwan (1950-1952) and the former Chairman of Taiwan Provincial Government. He resigned in 1953 and went to the United States. K.C. Wu lived in the United States where he served as professor of Chinese history at Armstrong Atlantic State University in Savannah, Chatham County, Georgia. During his time in the United States, he wrote various works, including a detailed analysis on Chinese culture in the context of mythology and early history in his book The Chinese Heritage.
The second part collections of DR. Wu Guozhen (吳國楨) presented and offered up to auctions: ON DAY-1: From Lot-97 through Lot-124, and continued from Lot-204 through Lot-228. ON DAY-2: from Lot-357 through Lot-386.
LOT NOTES: Yun Bing (惲冰; 1771-1833), courtesy names Qingyu (清於) and Haoru (浩如), was a Chinese painter during the Qianlong era. She is well known for her bird-and-flower paintings executing the "boneless" technique, and became the most famed of the Yun family's female artists.
Yun was born to an artistic family in Wujin District of Changzhou, the granddaughter of the famed painter Yun Shouping. Her niece Yun Zhu was also a talented artists. Though her birth and death dates are unknown, one of her paintings in the Shanghai Museum is dated to 1750. She married Mao Hongtiao, also from Wujin, and the two sold paintings and wrote poetry to support their family. One of Yun's granddaughters, named Zhou (周), was recorded in the Yun family genealogy book, which has been used to suggest that her artistic skills were worthy of the Yun clan.
Yun's painting style was heavily influenced by her family's preference for the "boneless" technique. She predominantly painted bird-and-flower paintings, but also painted people, one of which depicts a woman doing her hair known as the Hairpin Scroll (簪花图轴).Yun is often compared with her contemporary Ma Quan, who similarly specialised in bird-and-flower painting but favoured strong outlines. The Chuyue jiexu wenjian lu (初月接续闻见录), compiled in 1818, describes how people throughout the Jiangnan region described them as the "two without parallel" (两绝)
During his tenure as governor-general of Liangjiang, Yi Jishan presented some of Yun's works to Empress Dowager Chongqing who in turn showed them to the Qianlong Emperor. The emperor was reportedly so impressed that he wrote a poem praising her art, after which Yun's reputation as a painter spread.