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of square section and rectangular form tapering towards the base, finely painted in varying tones of blue with each panel featuring a different depiction of the West Lake; one with two boatmen in skiffs ferrying passengers about to pass one another in between a pair of large boulders, another panel with a scholar walking along the waterside with a staff followed by a young attendant with a pagoda and pavilion in the distance, the third panel with a scholar pausing on a bridge to admire the fish swimming below and an attendant following close behind, and the fourth panel depicting?three scholars seated casually lakeside?conversing under a weeping willow tree with a small retreat nearby, the leaves and blossoms all picked out in bright underglaze copper-red, and each with an associated poetic inscription?and?seal mark of either Mu Shi Ju?or Zhu Ying the flaring neck with a sprig of flowers to each side representing the 'four seasons' lotus, peony, chrysanthemum and prunus, all below a chevron border around the rim, the countersunk base with a six-character mark, coll. no. 145Height 20 in., 50.8 cm