保证金1000元人民币。 All sales are subject to 888 Auctions’ Terms and Conditions of Sale. Bidding is available by live in-house bidding and absentee. A 20% buyer's premium is added to the hammer price of each lot. PAYMENT BY, BANK DRAFT, CERTIFIED CHEQUE OR WIRE TRANSFER ONLY. The auctioneer and 888 Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. The auctioneer will also have full discretion to reopen the bidding, cancel the sale or re-offer and resell the property. Should a dispute arise after the auction, our sale record is conclusive.
Oil on canvas, newly framed. Featuring an abstract composition. Signed E BRIGGS on the lower right corner. Attributed to Ernest Briggs (1923-1984, American). 58 x 39 cm (22.8 x 15.4 inches). Frame size: 74 x 54 cm (29.1 x 21.3 inches). Ernest Briggs was a second-generation Abstract Expressionist painter known for his expressive, sometimes calligraphic brushwork, his geometric compositions, and revolution in abstract painting that secured New York City's position as the art capital of the world in the post-World War II period. Considered a member of the second generation of Abstract Expressionists, along with Giorgio Cavallon, Briggs left California for New York in 1953 where he began exhibiting at the Stable Gallery. During the 1950s, he was able to make a name for himself through his explosive and dynamic style as part of the New York City avant-garde. Briggs brought to the East Coast a fresh, lively aesthetic, reflecting what has been termed a "radical West Coast style" that he had continued to develop since his days at the California School of Fine Arts in San Francisco. He participated in several Whitney Museum Annuals and in 1956 was included in the Museum of Modern Art’s exhibition “12 Americans” curated by Dorothy Miller. He taught painting and sculpture at the Pratt Institute in Brooklyn from 1961[1] until the time of his death at age 61, and is survived by his wife Anne Arnold, who is also an artist. PROVENANCE: Southern Ontario estate.
---以下为第三方软件翻译,仅供参考---
品相报告
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name]: The work is by the artist.
Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).