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全球拍卖首页 > Bonhams HK > 仪式+文化：东南亚艺术之美 > Lot 45
A GILT COPPER ALLOY FIGURE OF SEATED BUDDHA WITH INSET LAPIS LAZULI EYES Sri Lanka, Kandyan Period, 18th century
香港 北京时间
2019年03月29日 开拍 / 2019年03月29日 截止委托
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拍品描述 翻译
A GILT COPPER ALLOY FIGURE OF SEATED BUDDHA WITH INSET LAPIS LAZULI EYES Sri Lanka, Kandyan Period, 18th century28 cm. (11 in.) high 注脚 斯里蘭卡 阿努拉達普拉時期 十八世紀 銅鎏金青金石眼佛坐像ProvenancePrivate Collection, US, by 1957Thence by descent PublishedPhoenix Art Museum, Guardian of the Flame: Art of Sri Lanka, Phoenix, 2003, p. 133 & 152. ExhibitedGuardian of the Flame: Art of Sri Lanka, Phoenix Art Museum, 8 February - 11 May 2003; The Cantor Art Center, Stanford University, 2 March - 12 June 2005; University of Virginia Art Museum, 21 January - 19 March 2006.Made by the imperial workshops of Sri Lanka's kingdom of Kandy, this sculpture is perhaps the largest and finest gilt bronze Seated Buddha from the Kandyan period still in private hands. This seated image is as tall as most bronze Standing Buddha images from the Kandyan period. It may also be the only privately-held Kandyan Seated Buddha image that survives consecrated with eyes of inset semi-precious stones.As discussed by Listopad, since at least the first millennium CE, the creation of a Buddha image in Sri Lanka culminates with a consecration ceremony known as netra pinkama, or 'the meritorious action of establishing the eyes'. This could be achieved by carving, painting, inlaying, or insetting the eyes - in this case with lapis lazuli. A netra pinkama ceremony would also be repeated periodically to clean and reset the eyes, and in the Kandyan period it was performed every time a temple was established or refurbished (Phoenix Art Museum, Guardian of the Flame: Art of Sri Lanka, Phoenix, 2003, p. 46-7). Yet, while most bronze Kandyan sculptures in museums and private collections have small pupils indented for this purpose, almost none of them retain their consecrating stones.The Buddha appears on a simple base, seated in the heroic posture (virasana), characterised by folding the legs one over the other, mirroring the position of the hands in dhyana or samadhimudra. Thus, the Buddha is portrayed entranced in a deep meditative state. Iconographic particularities reflecting the enlightened state of the Buddha are the flaming siraspata emerging from the head as well as the wheels incised on the feet. The robes are draped over one of the broad shoulders in crisp wavy lines, with the distinctive Kandyan rendering of a light, crinkling garment that hugs Buddha's empyrean physique. These characteristics, alongside the figure's abstracted physiognomy, are representative of the Kandyan style, which conveys the Buddha's eternal inner essence through a stylised perfection of the human form.

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价格信息

拍品估价：480,000 - 680,000 港币 起拍价格：480,000 港币  买家佣金：
落槌价 佣金比率
0 - 25,000 27.50%
25,000 - 3,500,000 25.00%
3,500,000 - 以上 20.00%
服务费：平台服务费为成交总金额（含佣金）的3%

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