All sales are subject to 888 Auctions’ Terms and Conditions of Sale. Bidding is available by live in-house bidding and absentee. A 20% buyer's premium is added to the hammer price of each lot. PAYMENT BY, BANK DRAFT, CERTIFIED CHEQUE OR WIRE TRANSFER ONLY. The auctioneer and 888 Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. The auctioneer will also have full discretion to reopen the bidding, cancel the sale or re-offer and resell the property. Should a dispute arise after the auction, our sale record is conclusive.
Ink and watercolour on paper, featuring a painting of lotus, signed and attributed to Zhang Daqian (Chinese, 1899-1983), 95 x 43 cm. Zhang Daqian was a Chinese artist known for painting in traditional Eastern techniques while exploring the Western movements of Impressionism and Expressionism. His use of delicate brushstrokes and splashed color application, produced unique images of nature? He was also known for his forgeries of ancient Chinese masters, such as Shi Tao, Tang Yin, and Chen Hongshou. Today, Zhang’s home, known as the Zhang Daqian Residence, is a memorial to the artist maintained by the National Palace Museum in Taipei, his works are held in the collections of the Metropolitan Museum of Art in New York, the Art Institute of Chicago, the Denver Art Museum, and the Los Angeles County Museum of Art, among others.
---以下为第三方软件翻译,仅供参考---
品相报告
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name]: The work is by the artist.
Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).