Description: 釋文:五花驄馬七香車,去看春風第一花,十里紅塵三月暮,朱欄翠幕是誰家。 款識:金勤伯畫,歇腳庵藏。 鈐印:臺靜農(白文)、歇腳盦(白文)、肖型印(白文) With three seals of the collector 來源: 臺靜農先生舊藏 註: 「歇腳庵」為臺靜農的書房堂號 PROVENANCE: The Collection of Mr. Tai Jing-Nong 此作由金勤伯繪牡丹,後由臺靜農收藏並題以詩文,見畫中牡丹酡顏色粉,用筆澹雅端秀,設色清麗,腹中飽水寫牡丹,一朵初開,一朵含苞而靜待綻放,顯出牡丹的雍容與羞怯可人,謂何人繪牡丹「天香夜染衣,國色朝酣酒」暮春三月,輕酌下見牡丹,猶如恍惚人間,畫中詩文酣暢渾厚,臺老的筆墨,墨深而筆鋒乾澀,走筆疾勁,一氣呵成。《玉樓春》裡一句:「三月牡丹呈豔態,壯觀人間春天下」,作中牡丹與詩文相映成氣,更似觸景而一繪,有感題作詩文,信手拈來仍清雅動人。 This work by Jin Qinbo was kept into the collection of Tai Jing-nong who wrote a poem praising Jin’s use of colour and ink. Flowers were depicted in various forms, one blooming in its full form and one waiting to be in its full bloom. Such forms represent the flower's chastity. Literati in centuries appreciate flowers with a cup of wine during springtime. Such actions were suggested in the painting and the poem. Calligraphy of Tai was written in swift strokes and saturated ink yet dry at the tip of the brush. His poem echoes with the subject and adds a poetic touch to the painting.