Description: 此硯屏以整塊仿珊瑚紅料雕刻而成,嵌插於紫檀木座中,質地緻密 溫潤,色澤艷麗。小硯屏呈方形,左右上三邊裝飾鏤空雲雷紋,玲 瓏美觀。屏面以浮雕技法雕樹蔭雙駿圖,兩匹駿馬體形矯健,一馬 低頭似在食草,一馬迴首,輔以樹木草叢,其間溪水潺潺,仿若世 外桃源。左上角刻御製詩:「美玉與良馬都稱干,德為琢磨成特達 筋。骨自權 何必施鞍,勒天然伏虎羆風人,詠空谷體物引遐思。」 文體蒼勁,筆筆見峰,整體佈局錯落有致,意境曠遠清雅;清廷先 後於乾隆二十二年、二十四年平定了準部、回部 叛亂。二部歸順 後,屢屢向乾隆皇帝進貢,其中以名貴馬匹為重。故此插屏不僅有 藝術價值,還有反應歷史之功,難能可貴。硯屏是明清時期文人雅 士文房常有的陳設之一,其形制與獨扇式座屏相同,但形體較小, 常置几案上,置於硯端以障風塵之屏,多以玉、石、漆木為之,是 用作陳列、擺設的觀賞性小型屏風,江南一帶又稱台屏。此硯屏用 料上乘,器形小巧,刻紋細膩生動,是清代中期典雅別緻的文房用 具之一。硯屏下承木屏座。 the square screen with two cusped upper corners, masterfully carved in varying layers of relief on threesides with delicate patterns of clouds enclosing a scene of two stallions standing under trees; one eating grass and the other turning its head, looking back. An imperial poem composed by the Qianlong Emperor and executed in a meticulous font is carved on the left up corner. The vigorous and realistic execution of this table screen reveals the hand of a true master, embodied with not only a artistic value but also a historical connotation.