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全球拍卖首页 > 888 Auctions Inc. > 现代艺术、书画及中国艺术品 > Lot 25
Barnett Newman American Abstract OOC
加拿大 北京时间
2019年06月21日 开拍
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拍品描述 翻译
Oil on canvas, framed. Featuring an abstract expressionist composition. Signed Barnett Newman on the lower left corner. Picture size: 44 x 34 cm (17.3 x 13.4 inches), frame size: 55 x 45.5 cm (21.7 x 17.9 inches). PROVENANCE: Southern Ontario estate

Barnett Newman (1905-1970) was an influential American artist best known for his involvement in Color Field painting. Newman composed his paintings with crisp edges and lines of pure color that focus on form. One of the artist’s best-known works is The Stations of the Cross (1958–1966), a series of 14 black-and-white paintings that explore religion through abstraction. “I hope that my painting has the impact of giving someone, as it did me, the feeling of his own totality, of his own separateness, of his own individuality,” he once explained. Born on January 29, 1905 in New York, NY to Jewish immigrants from Poland, Newman studied philosophy at the City College of New York while also taking courses at the Art Students League alongside Adolph Gottlieb. During the Great Depression, he took on a number of odd jobs and stopped painting for a time while studying Pre-Columbian art and ornithology. Newman returned to producing paintings by 1944, and was soon immersed in the New York milieu of Abstract Expressionists that included Clyfford Still and Jackson Pollock. The late 1940s brought about a pivotal shift in Newman’s work, in where he first used the self-described zip, a vertical stripe of color down the painting. This formal gesture was a means for the artist, both formally and metaphysically, to overcome the traditional horizon line of pictorial space. During the 1950s, Newman’s work was mostly panned or dismissed, but by 1960, his emphasis on simplicity and the sublime had inspired artists such as Frank Stella and Donald Judd. He died on July 4, 1970 in New York, NY. Today, Newman’s works are in the collections of The Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Tate Gallery in London, among others.
品相报告
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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拍品估价：3,000 - 6,000 美元 起拍价格：300 美元  买家佣金： 20.00%

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