| 中文版 English
书画 陶瓷 玉石 佛造像/唐卡 金属器 家具 漆器 竹木牙角 紫砂 鼻烟壶 钱币邮品 名酒 奢侈品 其它
Calendar
Today
< >

具体要求

其它要求

-
关闭
全球拍卖首页 > Christie's UK > 尊尚珍品拍卖 > Lot 105
A GEORGE III ORMOLU-MOUNTED MAHOGANY OVAL WINE-COOLER
英国 北京时间
2019年07月05日 开拍 / 2019年07月05日 截止委托
上一件 下一件
拍品描述 翻译
A GEORGE III ORMOLU-MOUNTED MAHOGANY OVAL WINE-COOLER AFTER A DESIGN BY ROBERT ADAM, ATTRIBUTED TO SEFFERIN NELSON, CIRCA 1772-4 The rim with ormolu entrelac border, the body with carved ribbon-tied trailing husk garlands centred by a tablet with flower medallion draped with ribbon-tied swags above and guttae below, the lower frieze carved with stylised anthemion, lion-mask and ring handles and, rectangular block feet, original lead liner, anti-friction castors 19 ? in. (49 cm.) high; 35 in. (89 cm.) wide; 23 ? in. (59 cm.) deep This superbly carved mahogany wine-cooler is after a design by Robert Adam (1728-92), one of the most important architect-designers working in the Neo-classical idiom in the mid to late 18th century. It was probably executed by the Golden Square carver and gilder Sefferin Nelson (1739-97), renowned for his work under Adam’s direction and in particular the wine-cooler supplied en suite with a sideboard table, a pair of pedestals and urns to William Murray, 1st Earl of Mansfield (1705-93) between 1772 and 1773 for the Hall at Kenwood House, London. THE DESIGN From 1754-59 Robert Adam embarked on a ‘Grand Tour’ to France, Italy and Dalmatia with his younger brother, James, where the pair studied classical architectural ruins and antiquities. The sarcophagus-form of this wine-cooler is undoubtedly inspired from these travels since antique sarcophagi of similar form and decoration were illustrated by Robert Adam in 1755-56 while in Rome (1). The drawings from the office of the Adam brothers are held in the John Soane Museum, and include several versions of this model, which date from 1772 until 1786; these predominantly specify the patrons for whom they were intended although they are not comprehensive. Adam frequently produced the same popular design for different clients but modified each in the carving or painted decoration so that it appeared unique. Although the exact design for this wine-cooler does not feature in the Adam drawings, there is a preliminary drawing for the Kenwood wine-cooler which was later included in The Works of Architecture of Robert and James Adam (2). The published design was altered when executed in mahogany by the carver Sefferin Nelson; the satyr-masks in the drawing were substituted by lion-masks and the rectangular feet were replaced with round feet in the finished wine-cooler (3). Other versions of this model in the Adam drawings include (in date order): * A design for a wine-cooler to be executed in mahogany with ormolu mounts, circa 1772, for Osterley House (4); the design has a medallion, strigil fluting, swags, similar lion masks and virtually identical feet to the wine-cooler offered here. * Another in mahogany with ormolu mounts, circa 1773, supplied to Sir Watkin Williams-Wynn for the Eating Room at 20 St. James’s Square (5). Although no design for the Williams-Wynn wine-cooler can be found in the drawings, it is closely related to a design for a tureen which also bears the spread eagle from the Williams-Wynn coat-of-arms. The wine-cooler was sold Christie’s, London, 16 November 1989, lot 96 (￡50,000), now in the National Museum of Wales. * A further design for a wine-cooler, to be executed in mahogany with ormolu mounts, supplied in 1778 to Sir Abraham Hume for Wormleybury in Hertfordshire (6); the design ornamented with a medallion, strigil fluting, and bands of guilloche and Vitruvian scroll and has the same block feet but the handles are ram-masks rather than lion-masks. * Another design but intended to be painted in the Etruscan style with figurative panels depicting ‘merpeople’, supplied to the Duke of Cumberland for Cumberland House, 86 Pall Mall, on 28 October 1780 (7); this wine-cooler sold from Cumberland House by Christie's in 1793, and again Christie's, London, 27 June 1985, lot 182 (￡37,800 incl. premium); now in the Gerstenfeld collection (8).

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价：120,000 - 180,000 英镑 起拍价格：120,000 英镑  买家佣金：
落槌价 佣金比率
0 - 150,000 25.00%
150,000 - 3,000,000 20.00%
3,000,000 - 以上 12.00%
服务费：平台服务费为成交总金额（含佣金）的3%

拍卖公司

Christie's UK
Christie's UK
地址： 8 King Street St. James 's
邮编： SW1Y 6QT
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种：
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时，请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种：
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账，所以请您在汇款时，选择足额到账，或在汇款金额的基础上加上汇款手续费（如25美金）。
4. 国际转账汇款时， 您需要知道海外拍卖行以下汇款信息：
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码（8位字母数字组合，必填项， 如： BFKKAT2K）
* 收款银行清算码（9位数字组合，选填项）
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输， 您只需要支付相关的运费及保险费（如您需要）即可；有的海外拍卖行会推荐几家长期合作的运输公司， 这些运输公司有着良好的信誉和高质量的工作效率，您大可放心。您只需要提供您的收货地址， 竞得拍品账单。 运输公司会根据您提供的信息给您报价， 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了， 信用卡是最常用的支付手段， 当然还有其他像PayPal，转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税，需由包裹接受人（即买家）自行承担。 征收标准：具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品，如枪支、管制刀具、象牙、犀角等；中国买家不得通过本平台参与上述物品的拍卖活动；任何情形下，买家均须对自己的竞拍行为独立承担责任。
服务热线：400-608-1178
查看全部小贴士