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Description: An Imperial Chinese Ming-style moonflask with a 6-character Yongzheng mark and of the period. The flask has a compressed globular body and a waisted neck with a pair of dragon handles, all resting on an oval-shaped foot. It is painted all over with floral scrolls representing the 4 seasons. The vase is well modelled with a flattened globular body, tapering to an oval foot, surmounted by a tall waisted neck and flanked by a pair of archaistic dragon handles; the whole is boldly painted in vivid tones of cobalt blue with simulated ‘heaping and piling’, depicting large stylised lotuses and smaller attendant blooms borne on an undulating foliate meander, between pendent ruyi heads and upright lappets, all below a band of plantain leaves at the neck; the mouth and foot are encircled by bands of cresting waves, while the underside is inscribed with a six-character Yongzheng seal mark. The decoration on this vase is meticulously executed in the finest cobalt blue. The composition of lotus blooms and foliate scrolls is perfectly balanced through a thorough understanding of the importance of spacing in successfully creating a rich yet not overcrowded design. These curling lines are offset by the bold geometric rendering of the petal and leaf borders, all of which are circumscribed with crashing wave bands around the foot and mouth rim – ingeniously selected as they mirror the curvilinear and geometric forms of the overall design. Both the shape and decoration of the vessel take their inspiration from early fifteenth century blue and white porcelain of the Imperial collection. The flat circular form has its roots in archaic bronzes which were adapted into porcelain and painted with luxurious lotus designs during the Ming dynasty. Yongzheng vase is extremely rare, there is only one known example exists, that’s in the Tianminglou collection 此扁壶仿明代青花原形,撇口,直颈,扁圆形腹部,椭圆形足,肩间设置螭龙形耳,平底。白地上以青花为装饰,口沿处绘海浪纹,其下再绘莲纹,腹部与颈部连接处青花双圈分隔,腹部满绘缠枝莲纹图案,花朵大小各异,周围枝叶繁茂,繁密而有层。底部青花落大清雍正年制款。此扁壺用上等鈷藍,妙繪蓮花及纏枝卷草,布局均勻,花枝婉約華貴,又不失清雅。纏枝紋卷曲連綿,巧對呈幾何狀的蓮瓣及芭蕉,襯托壺身橢圓線條及幾何對稱構圖。整器造型秀美,线条柔和,青花发色鲜艳浓重,绘工细致,笔法流畅,纹饰繁缛,尽显雍正瓷器之尊贵高雅。本品器形源自永樂扁瓶,如台北故宮藏一例,展出於《故宮藏瓷:明青花瓷》,冊1,香港,1963年,圖版4。本件扁瓶之器形及紋飾佈局,均慎循明代雛本,於器腹、頸及雙耳綴纏枝花卉紋,以點染積釉技法點飾圖紋,以傚明初青花之結晶黑斑,如此巧藝熟技地運用青花,也使本品復顯十五世紀名瓷之美。雍正同类扁壶极为罕见,现知存世仅有天民楼收藏有一只,见“天民楼藏瓷“ 200页 雍正循作前朝名瓷,以彰顯輝煌歷史。在著名督陶官唐英(1682-1756)領導之下,景德鎮御窰廠瓷匠,取兩宋名窰及明代官窰名瓷為典範,力求燒造出相同水平之器。此時所造之器,並非直接模仿前朝雛本,而是以當時的審美標準,重新詮釋古器形及圖紋。本件扁瓶之器形及圖紋均依照雍正帝品味微作調整,相對於壺身,頸部略顯修長,雙耳綴蓮紋,並捨去永樂扁瓶之矮圈足,使器形線條更顯流線。紋飾分佈更為繁密,細節精緻,器頸飾纏枝蓮紋,展現雍正造瓷一貫之優雅特質。Dimensions are: 17 inches X 13 inches. All measurements are approximate. High resolution images can be found at: https://oag.smugmug.com/09062019 THIS ITEM IS FOR SALE TO ABSENTEE, LIVE, AND PHONE BIDDERS ONLY. NO BIDS WILL BE ACCEPTED FROM THE ONLINE PLATFORMS. PLEASE CONTACT US TO REGISTER A BID IF YOU WISH TO BID ON THIS ITEM! 這幾件拍品僅限於缺席,現場和電話竟標者。 網絡競拍者請聯繫我們如果您希望競拍這幾件拍品因為任何網絡投標都不會被接受。