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全球拍卖首页 > Bonhams Australia > 沃里克爵士和费尔法克斯夫人藏品拍卖会 > Lot 232
Hans Heysen (1877-1968) The Farmyard, Frosty Morning, 1926
澳大利亚 北京时间
2019年09月22日 开拍 / 2019年09月22日 截止委托
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Hans Heysen (1877-1968) The Farmyard, Frosty Morning, 1926 signed and dated lower left: 'HANS HEYSEN 1926'oil on canvas70.0 x 90.0cm (27 9/16 x 35 7/16in). 注脚 PROVENANCESociety of Artists, SydneySir James Fairfax, SydneyCollection of the late Sir Warwick and Lady Fairfax, SydneyEXHIBITEDSociety of Artists' Annual Exhibition, Education Department Art Gallery, Sydney, 10 September - 2 October 1926Wynne Art Prize (WINNER), National Art Gallery of New South Wales, Sydney, 1926Loan exhibition of the works of Hans Heysen, National Art Gallery of New South Wales, Sydney, 28 March – 26 May 1935, cat. 60, as lent by Lady Fairfax150 years of Australian Art, National Art Gallery of New South Wales, Sydney, 27 January - 25 April 1938, cat. 111, as lent by Lady Fairfax (illus.)LITERATURE'At The Exhibition of the Society of Artists', The Sydney Morning Herald, Sydney, 9 September 1926, p. 12 (illus.)'Artists, Annual Exhibition, An Admirable Standard', The Sydney Morning Herald, Sydney, 9 September 1926, p. 12'Wynne Art Prize, Awarded to Mr Hans Heysen', The Sydney Morning Herald, Sydney, 22 December 1926, p. 15'Wynne Art Prize, Awarded to Hans Heysen', The Daily Telegraph, Sydney, 22 December 1926, p. 7'Wynne Art Prize, Awarded to Hans Heysen', The Argus, Melbourne, 22 December 1926, p. 22'Wynne Art Prize, Hans Heysen Again the Winner', The Register, Adelaide, 22 December 1926, p. 9'Wynne Art Prize, Awarded to Hans Heysen', The West Australian, Perth, 22 December 1926, p. 10'The Wynne Art Prize, Won by Mr Hans Heysen', The Advertiser, Adelaide, 22 December 1926, p. 14'Notes Of The Day, Wynne Art Prize', The Mercury, Hobart, 22 December 1926, p. 8, as 'The Farmyard on a Frosty Morning''Picture Which Gained the Wynne Art Prize', The Sydney Morning Herald, Sydney, 23 December 1926, p. 12 (illus.)'Personal', Barrier Miner, Broken Hill, 23 December 1926, p. 2'Australasian', Western Mail, Perth, 23 December 1926, p. 25'Art Notes', The Australasian, Melbourne, 25 December 1926, p. 43'Wynne Art Prize, Hans Heysen Again the Winner', Observer, Adelaide, 25 December 1926, p. 41'News In Brief', The Chronicle, Adelaide, 25 December 1926, p. 41'Art Note', The Australasian, Melbourne, 3 September 1927, p. 51'News and Novelties', The Daily Telegraph, Sydney, 5 April 1935, p. 15 (illus.)Colin Thiele, Heysen of Hahndorf, Rigby Limited, Adelaide, 2000, p. 196Julie Robinson, Hans Heysen: The Creative Journey, Art Gallery Board of South Australia, Adelaide, 1992, p. 24Catherine Speck, Heysen to Heysen: Selected Letters of Hans Heysen and Nora Heysen, National Library of Australia, Canberra, 2011, p. 39Lou Klepac, Hans Heysen, Beagle Press, Sydney, 2016, p. 208The 1920s were the golden years for Hans Heysen. He had found unprecedented fame and popularity through sell-out exhibitions, glowing reviews and frequent articles in publications such as Art and Australia, all of which contributed to Heysen becoming a household name. Heysen was also the winning recipient of the Wynne Prize an astonishing nine times, of which four came during the 1920s. The Toilers in 1920 (in the collection of the Art Gallery of South Australia, Adelaide); The Quarry in 1922 (in the collection of Art Gallery of New South Wales, Sydney); Afternoon in Autumn in 1924 (in the collection of Art Gallery of New South Wales, Sydney); and the present work, The Farmyard, Frosty Morning in 1926, which by this time was his seventh winning entry.As reviewed in The

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