Huang Yi (1744-1802)
BambooHanging scroll, ink on paper, inscribed by the artist in clerical script, and signed Xiaosong with three artist's seals reading Xiaosong, Zunguzhai and Yulin houren, with a collector's seal Renhe Qian Zuihou cang, mounted with a calligraphic colophon by Wu Changshuo (1844-1927), dated gengxu (1910) with a dedication to Yimei, and signed Anji Wu Junqing Changshuo, with one calligrapher's seal reading Junqing. Poetry hall: 21.6 x 31.8cm (8 1/2 x 12 1/2in) Painting: 100.3 x 31.8cm (39 1/2 x 12 1/2in)
注脚
Exhibited: New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007Published: Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-156, p.215Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.202-203Provenance: Far East Fine Arts, San Francisco, CaliforniaBeijing Hanhai, Chinese Classical Paintings & Calligraphy, 9 December 2001, lot 983黃易 墨竹 水墨紙本 立軸 吳昌碩題詩堂詩堂:爵觚盤敦鼎彝鐘,掩映清光竹一叢。種竹道人何處住,古田家在古防風。庚戌(1910)四月維夏,宜枚仁兄屬書,安吉吳俊卿昌碩。款識:霜欺雪壓見精神,弄月翻風逈絕塵。莫與芭蕉並檐角,并將秋雨作秋聲。小松。鈐印:(黃)小松、尊古齋、寓林後人(吳)俊卿藏印:仁和錢醉侯藏展覽:《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日出版:戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-156,頁215Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁200-203來源:美國加州舊金山遠東藝術中心北京瀚海,《中國書畫(古代)》,2001年12月9日,拍品編號983