Ren Xiong (1823-1857)
Peonies and Butterflies, 1854Hanging scroll, ink and color on paper, inscribed by the artist, dated jiayin (1854), signed Weichang Ren Xiong, with two artist's seals reading Xiong yin and Weichang huazhang. 159 x 86.8cm (62 1/2 x 34 1/8in)
注脚
Exhibited: New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA, October 25, 2000-January 14, 2001Published: Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-236, p.223Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.236-237Andrews, Julia Frances, Michael Knight, and Pauline Yao, Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, p.24 (detail), p.58Provenance:Far East Fine Arts, San Francisco, California任熊 牡丹戲蝶圖 設色紙本 立軸 一八五四年作款識:曾見老蓮居士有此畫本,背摹其意。甲寅(1854)冬日,蕭山渭長任熊。鈐印:熊印、渭長畫章展覽:《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日出版:戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-236,頁223Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁236-237Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁24(局部)及頁58來源:美國加州舊金山遠東藝術中心