Sha Fu (1831-1906)
Scholar and Boy Beneath the TreesHanging scroll, ink and color on paper, inscribed by the artist, with one artist's seal reading Shanchun suozuo. 134.8 x 38.2cm (53 x 15in)
注脚
Exhibited:New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA, October 25, 2000-January 14, 2001Published: Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-146, p.214Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.282-283 Andrews, Julia Frances, Michael Knight, and Pauline Yao, Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, p.65Provenance:Far East Fine Arts, San Francisco, California沙馥 雙柑斗酒聽黃鸝 設色紙本 立軸款識:雙柑斗酒聽黃鸝。略用趙大年法。鈐印:山春所作展覽:《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日出版:戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-146,頁214Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁282-283Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁65來源:美國加州舊金山遠東藝術中心