Guan Shanyue (1912-2000)
Windswept Pines in a Mountain Gorge, 1977Hanging scroll, ink and color on paper, inscribed by the artist and dated 1977, signed Guan Shanyue, with three artist's seals reading Guan, Shanyue, and qishi nian dai. 135 x 67cm (53 1/8 x 26 3/8in)
注脚
Exhibited:New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA October 25, 2000-January 14, 2001Published: Teisuke Toda and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-286, p. 232Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp. 608-609 Andrews, Julia Frances, Michael Knight, and Pauline Yao.Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, front cover, pp. 208-209, Provenance:Far East Fine Arts, San Francisco, California關山月 峽谷松風 設色紙本 立軸 一九七七年作款識:峽谷松風。有云「五嶽歸來不看山,黃山歸來不看嶽。」余謂此說帶有片面性,當登上始信之。山顛一覽群峰,從雲霧中突起而競秀,誠壯觀也。因圖之以誌紀遊。一九七七年十月於珠江南岸,關山月並識。鈐印:關、山月、七十年代藏印:曹仲英印展覽:《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日出版:戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-286,頁232Little, Stephen, J. May Lee Barrett, 《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁608-609Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,封面,頁208-209來源:美國加州舊金山遠東藝術中心