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MAX DUPAIN
1911-1992
At Newport 1952
gelatin silver print, printed later
signed and dated 'Max Dupain '52 -' lower right; signed, dated and inscribed 'At Newport / - Max Dupain '52 -' verso
40.4 x 45.5 cm (image)
PROVENANCE
Max Dupain, Sydney
Gael Newton, Canberra, acquired from the above in 1983
EXHIBITED
Max Dupain Retrospective: 1930-1980, Art Gallery of New South Wales, Sydney, 29 August - 28 September 1980, no. 74 (another example)
Candid Camera: Australian Photography 1950s-1970s, Art Gallery of South Australia, Adelaide, 28 May - 1 August 2010 (another example)
Three Years On: A Selection of Acquisitions 1978-1981, Photography - Australian, European and American, Art Gallery of New South Wales, Sydney 1981 (another example)
A Sunlit Vision: Photographs by Max Dupain, Monash Gallery of Art, Victoria, 7 October - 26 November 2000; Swan Hill Regional Gallery, Victoria, 22 June - 19 August 2001 (another example)
LITERATURE
Gael Newton,
Silver and Grey: Fifty Years of Australian Photography, 1900-1950, Angus and Robertson, Sydney, 1980, (illustrated plate 80, another example)
Gael Newton,
Max Dupain, The David Ell Press, Sydney, 1980, front cover (illustrated), p. 84 (illustrated, plate 48)
Gael Newton,
Three Years On: A Selection of Acquisitions 1978-1981, Photography - Australian, European and American, Art Gallery of New South Wales, Sydney, 1981, p. 75 (illustrated, another example)
Geoffrey Dutton,
Sun, Sea, Surf and Sand - The Myth of the Beach, Oxford University Press, Melbourne, 1985, pp. 110, 112 (illustrated, another example)
Max Dupain,
Max Dupain's Australia, Viking and Penguin, Melbourne, 1986, p. 157 (illustrated, another example)
Rose Peel, 'Australian Postwar Photo-Documentary', in Judy Annear (ed),
Art Gallery of New South Wales Collection, Art Gallery of New South Wales, Sydney, 2007, p. 195
Julie Robinson,
Candid Camera: Australian Photography 1950s-1970s, Art Gallery of South Australia, 2010, front cover (illustrated, another example)